In-Depth

A Tale of Two Colors. Why Was the Devil Colored in Black and not in Red in Medieval Manuscripts?

I was on Twitter the other day and shared a meme of mine in which Plato talks with the devil. The person whom I sent the meme then asked me what I first constructed as a troll comment: “Why is the devil black?” We find many things on Twitter and I first thought that my interlocutor was leaning toward a slightly veiled racist comment. He kept asking, however, why was the devil pictured as black? That’s when I remembered that the devil is mostly depicted in red today and it hit me that it could be a legitimate question to understand why the devil was pictured as black in medieval manuscripts.

The Devil’s Color Today Is Red

I mean, I should have connected the dots faster! I’m Belgian and our national football/soccer team is called the ‘Red Devils’. They’re quite famous nowadays: Eden Hazard (Real Madrid C.F.), Romelu Lukaku (F.C. Internationale Milano), Dries Mertens (S.S.C. Napoli), Axel Witsen (Borussia Dortmund), Vincent Company (formerly at R.S.C. Anderlecht) and Kevin De Bruyne (Manchester City F.C.). All of them are international superstars! When I went to Naples recently, I discovered that talking about the Red Devils was actually a great way to connect with locals (thank you Dries Mertens!).

Also, if you look for devils on Google image search, you’ll only see the color red in the matching results. Red is the color of Hell because it is the color of fire and Hell is constructed in our heads as a place full of fire since it is located at the core of the Earth, deep under the surface (whereas angels have white wings since they live above the clouds).

A quick Google search of the Devil will paint your web navigator in red.

However, red was not always the Devil’s color. I remember watching an old documentary—that I’m too lazy to track down—which told how he was depicted in green a long time ago. Nevertheless the color red caught on a bad reputation in the 16th century among Protestants because it was the color of the people who supported the pope*. Protestants also focused on a passage of the Apocalypse read that red was the color of the beast that rides the whore of Babylon. The color that she also wore herself:

I saw a woman sit upon a scarlet colored beast, full of names of blasphemy, having seven heads and ten horns.

And the woman was arrayed in purple and scarlet color.

~ Book of Revelation, 17:3-4.

As the historian Michel Pastoureau reminds us, Martin Luther saw Rome as the new Babylon. Red was therefore the color to avoid at all cost. It comes as no surprise then that the color red gradually became more and more associated with the devil and evil. Even in the Catholic world, only women would later be allowed to wear red, that’s probably why pink is today seen as a color for little girls whereas blue is the color of little boys. But more on that later.

Back to red devils, they are so popular now that they dictate the features of fictional characters when they’re supposed to be threatening, dangerous and evil. I’ll take only one example in that regard and that is the case of Darth Maul in Star Wars, Episode I: The Phantom Menace. A most scarlet face hides under his black hood. He even has horns on his head instead of hair to fully assimilate him with a demon from the underworld. As soon as the audience sees his face, they know he’s an evil character and can’t be anything else but evil. It is an easy, clever and straightforward representation. If we were to extrapolate about the color red in the Star Wars universe, unless when Queen Amidala wears it (and maybe in a few other occurrences), it is quite clearly linked with evil whereas the color blue, a celestial color, represents the good. As Anakin Skywalker slowly transforms into Darth Vador, though he still wields a blue lightsaber, his eyes turn red. That aesthetic is carried on in the latest episodes of Star Wars and is fairly obvious to spot when Kylo Ren and Rey are facing each other in Episode VIII: The Last Jedi.

* Michel Pastoureau & Dominique Simonnet, Le petit livre des couleurs. Paris: Points, 2004.

What the Color Red Meant in the Middle Ages

Before the 16th century and prior to the Reformation, however, the color red was the noblest of all, second only to gold—and white, maybe. Red is the color of blood and the only blood that mattered was the blood of Christ, who died to save us all, according to Christian theology. It reminded its martyr. It was holy and sacred.

Seraphs, which are described as the angels who were the closest to God, were depicted with red wings in medieval manuscripts when they were not exclusively red! Various illuminations depicting the hierarchy of angels in Heaven systematically color the seraphs in red, at the very top of the celestial ladder, right next to God. I’m not making this up, look at the illuminations for yourself.

Similarly the highest ranked clerics of the Church wore red gowns. They still do. I’m talking about the cardinals of the Catholic Church, of course, that even have a shade of red, a red bird (the northern cardinal) and fishes displaying red scales (the cardinal tetra) named after them. According to Catholic theology, the Church on earth is supposed to reflect the heavenly Church of God and his angels. The pope equates God in this parallel and the cardinals equate the seraphs. Anyone who’d consider the Church not worthy of this holy comparison—because the earthly Church, reportedly founded by Christ himself, is supposed to be holy by definition—put himself in great danger. Such was the case of John Wycliffe, an English theologian who was personally protected by the King and therefore avoided ecclesiastical prosecution. Wycliffe wrote that the Church on earth couldn’t compare in terms of holiness with the heavenly Church of God. It gave birth to the long-lasting heresy of the Lollards, which would be persecuted and repressed violently.

The point I’m trying to make is that red was seen as a holy and prestigious color in the Middle Ages. As Michel Pastoureau reminds us, in his short and delightful book I’ve already referenced above, red was also the color worn by women on their wedding day, especially by brides from the lower social class.

I’ve done a quick research on that in digitized manuscripts and sure thing, we don’t see a single bride in white! White—as it is commonly known—became the traditional color of wedding gowns during the 19th century. Women were invited to wear their most expensive and lavish dress on their wedding day during the Middle Ages and red pigments were particularly expensive, beyond the fact that the color red carried a highly spiritual meaning. As for jewels, women often borrowed from their relatives on their big day but mostly they wore crowns. I’ve seen a few examples of golden and blue dresses—in one case I spotted a green dress. However, if the bride is not wearing any red herself, the groom or the witnesses would wear it instead. Red was the color of weddings!

Which brings us, naturally, to the infamous “Red Wedding” written by G.R.R. Martin in his novel series A Song of Fire and Ice—adapted for television in Game of Thrones. I will only mention it to stress how that wedding didn’t fit any properly medieval setting. Rarely do we read about weddings ending ugly in medieval chronicles. A wedding was a sacred ceremony, not only a feast but a holy moment well defined and framed by the Church. Any crime committed during a wedding would have resulted in the most pernicious and vicious excommunication. Carrying on sieges and battles on holy days were already the mainsprings of bad reputation to knights and military commanders. Joan of Arc suffered such a fate when she led the siege of Paris on a day devoted to the Virgin Mary. Straight out murders and massacres on wedding days would have caused the utter destruction of anyone’s reputation and it would have cost him all his allies. This was not a smart move. It is funny how sometimes G.R.R. Martin properly draws from medieval history, like when he writes about the death of Robert Baratheon during a wild boar hunting party, yet more often than not he stretches away from historical veracity to come up with his own symbolism. The Red Wedding is red because of all the blood that was shed. Weddings were red in the Middle Ages because most people dressed in red on such occasions and the color red carried a noble spiritual meaning.

Red Beasts and Black Beasts

Red was the color of the divine, a color that carried prestige and meant power. If the Good, the Bad and the Ugly were medieval colors, the Good would be red, the Bad would be black, and the Ugly would be another tale entirely—though he could also be black. Such a definition helps us understand how animals were categorized in the Books of King Modus and Queen Ratio. The author, presumably Henry of Ferrières, divides commonly hunted forest animals into two sorts: the red beasts (the noble ones) and the black beasts (the nasty ones).

The five red beasts are the following: the deer, the doe, the fallow deer, the roe and the hare. The five black beasts are as follows: the boar, the sow, the wolf, the fox and the otter. One could argue that the fox is a red beast but the terminology here carries meaning beyond the sole color of the animal’s fur. The Books of King Modus and Queen Ratio is not only a hunting treatise, it is also an allegorical tale. Every time King Modus explains how animals are to be hunted, Queen Ratio delivers the symbolic and spiritual meaning of those animals according to the Christian faith and the Catholic dogma. That’s why she argues that if the deer has ten pikes on his antlers to defend himself from harm, the Christian has the Ten Commandments at his disposal to shield himself against all evil. The deer not only belongs to the “good beasts”, it is a Christological beast, whereas the boar is an evil animal that guards the satanic tree of the Devil’s Ten Commandments. It all belongs to the rhetoric that our world is merely the projected shadow of a higher one: God’s own realm.

What’s funny though is that in most manuscripts containing the Books of King Modus and Queen Ratio I found out that the boar was represented upon a red background (see above). So there may be more to red that I let on is this blog post. Indeed, as you can also see in the few illuminations depicting St John that I’ve encountered, the devil taunting him as he writes the Book of Revelation is not systematically black, he can also be red! Oh, the flimsiness of cultural and representation studies. What’s funny with the Late Middle Age allegoric literature is that anything could be seen as godly or devilish depending on the author’s intent as long as it respected or reminded the Catholic dogma in any way, shape or form. Even the fornication tales of Jupiter could carry a divine meaning to the more daring of medieval scholars. They wrote several books around that theme—but as Maz Kanata puts it in The Force Awakens: “That’s a story of another time.”

Going Full Circle: Black Beasts as the Beast

Boars, sows, wolves, foxes and otters were all considered as pests to get rid of. They were deemed dangerous. It was indeed a risky venture to hunt the wild boar in the forest, as many romances told and several dead kings proved to be true. Age of Empires 2 players must also be very careful when hunting the wild boars in the Dark Age.

Such beasts, the black beasts, were thought to stink, to bite, to destroy everything in their path. It comes as no surprise then that the Beast, the incarnation of evil, would adopt their features and characteristic. The Beast had to be black. And since it was formerly an angel, it had wings! But not any wings: bat wings.

Illuminated manuscript. Medieval manuscript. Devil. Cistercian lay brother. BnF
A cistercian lay brother cutting down a devilish creature – Paris, BnF, fr. 2608, f. 381r

Bats didn’t have the best reputation during the Middle Ages depending on where they lived. In Northern Spain? They were loved—but more on that in a minute. In Northern France? Not so much. To begin with, bats hairless, which is the reason why they’re called “bald mouse” in French (“chauve-souris”), and it gave way to several interpretations. Not all of them favorable to their kin. Bats are naked as the alcoholics and the gluttons are naked from selling even their clothes in order to give way to their addiction. That’s how the Ovide moralisé puts it*.

Moreover, the Latin word for bat is “vespertilio” (in Old French it was still “vespertille”). It meant “the bird that flies at night” or the bird of darkness. Bats are pleased to live in the dark and they wouldn’t have it any other way. They flee the light. Such are the sinners, who run away from knowledge and the holy beacon of faith and truth that was the Church (supposedly).

The Beast, who’s dark and black and master of evil, only has bat wings as a natural conclusion of the medieval symbolism I presented here to you. It answers the question why the devil was black in medieval manuscripts instead of red but it does not end this blog post. Here comes the bonus section for those who stuck until the end!

The Devil may have turned red, sure, yet he still appears in black today but in disguise, with another name and under another mantle. At night, he roams the streets of a major city that is infested by criminals. He tracks them down and give them Hell. You know that new devil yourself. His name is known to you. Batman, he is called. How did he acquire such a name? The legend says that Bruce Wayne was pondering at night how to inflict fear to criminals. In his office, he gathered his thoughts.

“Criminals are a superstitious cowardly lot, so my disguise must be able to strike terror into their hearts. I must be a creature of the night, black terrible… a… a…”

As if in answer, a huge bat flied in the open window.

“A bat! That’s it! It’s an omen..; I shall become a bat!”

And thus is born in this weird figure of the dark… this avenger of evil: the Batman.

~ DC #33, Nov. 1939

However, Bruce Wayne was certainly not the first person to have a bat fly in and become an omen. Oh, no! Such a fate happened to King James I of Aragon in the 13th century. Remember when I told you that bats had a good reputation in Northern Spain? Here is why**.

King James was in his tent, just as Bruce Wayne was in his office. King James pondered about the upcoming battle, just as Bruce Wayne pondered about his upcoming crusade against criminals. The word crusade is almost too fitting here since King James was readying himself against Moorish enemies. As he spotted the bat, he figured it was a good omen—just as Bruce Wayne did—and he put the symbol of a bat on the top of his banners the next day. The battle was won and since then bats have been figures of good luck in the region of Valencia and Barcelona, even to this day!

I started mentioning a football/soccer team. It is only fitting that I’d end up with another: the Valencia C.F. which celebrated its hundred-year anniversary this very year! If you look at their jersey, you’d see a bat on the top of their flag. As a matter of fact, it clearly reminds Iberian medieval coat of arms, where bats were not uncommon but very much present (I’ll let you look it up for yourselves).

Oh, the flimsiness of cultural and representation studies!

On a final word, I leave you to reconsider the hypothesis advanced by Gabriel Iglesias aka Fluffy. Could Batman be Mexican? King James spoke a kind of Spanish. Therefore Batman might very well be hispanic! Enjoy the video.

* More on that: Angela Calenda, “La métamorphose des Minéides en chauves-souris dans l’Ovide moralisé”, in Reinardus. Yearbook of the International Reynard Society, 28 (2016), p. 23-30.

** More on that: Denise Tupinier, “Origine et signification de la Chauve-Souris dans les provinces du Levant espagnol”, in Publications de la Société Linnéenne de Lyon, 54-2 (1985), p. 52-56.

Medieval Meme. Age of Meme. Wild Boar. Gaia. Age of Empires 2.
Age of Empires 2, AoE2 Gameplay

Luring Wild Boars

I’ve been meaning to write this blog-post for a looong time. Actually, it is where it all started for me and my online Asinus persona. However, the more I delved into the topic, the more I discovered that the sum of my knowledge was close to nothing… I had to watch more videos and read more. All in all I spent several hundred hours on that very particular subject. I hope you will appreciate my findings. Please, let me know if I’ve forgotten anything! I will update my post accordingly. Thank you for reading and see you soon on my next blog posts.


This blog post is dedicated to _LilTrouble, the kindest of all Age of Empires 2 streamers, who makes her streams feel like you’re in a lounge having a good time with friends.

Check her out on Twitch!


Skip Through the Boarshit!

This is a long post. And there are no potatoes. Sorry. So click on what sparks your interest to skip what you don’t want to read! And have fun 😉

How to Hunt Wild Boars in AoE2?


Intro

The first time I restarted Age of Empires 2 for an online game with my father and his colleagues, I just did nonsense. I sent my scout straight to my allies. I scouted my base with my villagers. I found three turkeys and didn’t look for the fourth one (though you always find cattle in even numbers). I just didn’t what a build order was!

11.

Herb Laugh

I got my ass served to me a few times by my father’s colleagues and I decided that I couldn’t suck at some twenty years old game anymore. My pride was tickled and it had to be answered. I started to learn what a build order was. Matthieu Macret puts it best:

A build order defines the sequence in which buildings are constructed, units are produced and technologies are researched. Build orders target a specific strategy, such as rushing or timing attacks.

Once I acquired that little piece of knowledge, I went on to learn that boars, that I had always ignored, were to be hunted and their food collected. Hunting wild boars is however a dangerous activity in Age of Empires 2. That’s why I had always avoided it altogether in the past. Was it really necessary, though, to change my habits to improve my gameplay?

Yes.

It was.

Sorry to be blunt but first I thought I should serve you with a long ass demonstration. Eventually I decided against it. Age of Empires 2 is a Real Time Strategy game that works on a very simple principle: the more ressources you have, the more military you can produce. There is an element of sheer strategy to the game, but on the long run the player that has the best economy usually wins.

You just can’t ignore the free food boars represent. You need it.

How to get it, however, is another matter… for which I’m fully prepared to go on for a bit and boar you with details.

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How to Hunt Wild Boars in Age of Empires 2?

Toying with Danger

Hunting a wild boar is a dangerous business. You can help out your villagers by researching loom and grant them extra hit points and armor. However, loom costs 50 gold and researching it could slow your build order down if you aim for very early aggression. Also, sometimes you just don’t have the time to have it researched before you have to lure boars. It can happen on a Nomad map, for example.

Just watch the following clip from T90 Official YouTube channel and witness how Lierrey turns a bad start around with two successful very early boar lures.

The Shortest Pro-Player AoE2 Game You’ll Ever See

Lierrey is a pro-player and he makes it look very easy though he comes close to lose a villager. However, many a player have lost many a villager in unsuccessful boar luring attempts.

A few weeks back, a new meme was born to mock William McNabb who went on Twitter and asked the following in the wake of two more U.S.A. mass shootings and argued in favor of assault weapons:

Legit question for rural Americans – How do I kill the 30-50 feral hogs that run into my yard within 3-5 mins while my small kids play?

I’m not making this up. I found the original tweet back for you.

It became an instant internet success (click on the link to read Joey Cosco’s very entertaining account of this viral moment). Of course, since Age of Empires 2 players have to face the danger of wild boars every early game, they just had to join in on the fun and they came up with some memes of their own.

Not to hit you too hard and too soon with some concrete historical knowledge, but it was actually well-known in the Middle Ages that wild boar hunting was a dangerous business. The sole encounter of a sus scrofa (to call the wild boar by its latin scientific name) could lead to an ineluctable death. I just happen to know of a few stories about muredrous medieval piggies.

Should I briefly narrate two of those stories to you?

The Pigs that Killed Kings

Illuminated manuscript. Bernardus Guidonis. Flores chronicorum.
Death of Prince/King Philip (1131) – Besançon, BM, ms. 677, f. 67v

October 13, 1131. Paris.

The City of Light was still haloed in darkness but the sun was high and bright on that fine and long-forgotten Tuesday. Prince Philip was only fifteen years old but he rode his horse as proud as a peacock.

He had many followers behind him. Not only was he a Prince, you see, he was actually a King. He’d been introduced to the fine art of ruling the realm at the ripe age of three years old. Six years later, he’d been coronated and anointed along his father at Reims. The rolls of chancery called him rex designatus or rex junior. His kingly title was therefore the most official thing.

The Capet Kings had taken the habit of crowning their successors and give them the regal title before their passing to ensure the future of their dynasty and favor the transition from an elective monarchy to a hereditary one.

Prince Philip was born on a windy day. His father was fat and his mother ugly. His Greek name was yet quite uncommon for his time, though he’d been called after his grand-father, Philip I.

Philip I had had a Byzantine princess for mother. Some unverifiable sources state that she descended from Macedonian Kings of old. That’s why, maybe, she gave her son the name of Alexander the Great’s father. It quickly caught up, however, and soon the name “Philip” was just as common as “Eudes” or “Raoul”.

Since he’d been anointed at Reims, Prince Philip was believed to have curing powers that he could channel through his hands. It was a gift that all the Kings of France shared and it made him a holy man despite his youth.

Until the age of seven, Prince Philip remained in the company of ladies, that fed and cared for him. From then on he had the task to educate himself and to become a man. Such a noble achievement could only come through the arts of horse riding and weapon-wielding. It comes as no surprise then that Prince Philip, aged fifteen, ventured outside Paris on a hunting party.

Or maybe did he just escaped the city for a ride in the countryside with his friends? We do not know. Meanwhile, his father remains very busy in the capital, mustering his troops to face a few rebellious lords.

As evening lights dawned on Paris and the sun descended below the horizon, Prince Philip came back from his ride in the countryside and passed through a suburb. That is when the accident happened.

It all flashed in a minute and there was nothing anybody could have done.

A pig ran into the legs of Prince Philip’s steed. The horse panicked. The young King lost balance and fell from his horse. His head hurt a rock. The steed then trampled Prince Philip, fell and crushed him.

The fifteen-years-old King was somehow still alive and was brought to the nearest house but he was certainly doomed. His father was informed of the accident, rushed to his bedside and cursed the devil-sent pig. Prince Philip died overnight. The pope, who was en route to Reims, changed his travel plans to attend Prince Philip’s funerals in Paris.

Never a death was deemed more unjust than this one. It was describe with the all the darkest words known to the Latin language: misera, miserabilis, horrenda, horribilis, atrox, turpis, ignominiosa, invidiosa, sordida, infamis, immunda. It left a stain on the new regal dynasty that was difficult to overcome. However, the Capets managed to get over the dishonor Prince Philip’s death caused. He was buried within the next twelve days and his little brother, Louis, was anointed at Reims by the pope himself, shortly after that.

Philip’s fat father and ugly mother also decided to conceive a new child and to name him after their first born. This second Prince Philip, who never became King, received powerful ecclesiastical charges. Nonetheless he gave up the bishopric of Paris to Pierre Lombard. But that, my friends, is a story for another time.

Do you want to know more about the pig that killed a king? I would advise you to read Michel Pastoureau’s monograph: Le roi tué par un cochon (Paris: Seuil, 2015).

Illuminated manuscript. Giovanni Boccacio. De Casibus Virorum Illustrium. Laurent de Premierfait.
Death of Philip the Fair, King of France (1314) – Paris, BnF, fr. 226, f. 267v

The next story, for now, will tell you how Philip the Fair died, two centuries after Prince Philip, in 1314. It was more epic, however, since this time it happened during an actual hunting party, in a deep dark forest and not in the suburbs or Paris. It also enflammed the rich imagination of several great contemporary novelists of ours, as you shall see.

November 4, 1314. As the cold winds of winter closed in on the kingdom of France, its king chose to lead a hunting party in the cursed forest of Halatte. That is where Louis V met an untimely end in 987. The forest of Halatte had already taken one king. It could take another. Philip the Fair, however, didn’t let it scare him away. He plunged into the forest and hunted a wild boar with the vigor of a young man. He found a beast. He injured it. The beast threw itself under the feet of the king’s steed. Then, just like Prince Philip in 1131, Philip the Fair failed to maintain his balance and fell over. He broke his leg and the wild boar charged him. The beast was slain but King Philip IV proved to be badly injured. He was carried out of the forest and brought to Fontainebleau. He wished to stay alive until the day that a specific holy saint was celebrated. However, he died from his injuries a few days before the date. Many clerics saw that as a form of divine punishment. Philip the Fair hadn’t been very protective of the Church. He’d minted counterfeit money and robbed the Templars of all their belongings after he destroyed their order.

The untimely death of Philip the Fair and his harsh political choices actually gave birth to the legend that he’d been cursed by the Grand Master of the Knights Templar when the latter was burned at the stakes by order of the king. That curse then supposedly ran through many generations and it ultimately led to the Hundred Years’ War.

This legend served as the core concept of the best-selling novel series The Accursed Kings (originally published in French under the following title: Les Rois Maudits) written by Maurice Druon. It is worth of note, moreover, that ‘The Accursed Kings’ served as a major inspiration for ‘A Song of Fire and Ice’ novel series, by G.R.R. Martin. The latter doesn’t even hide his admiration towards Druon and compares him to Alexandre Dumas, calling him “my hero”, also stating The Accursed Kings are “the original game of thrones”.

Do you think it is a sheer coincidence, thus, if Robert I Baratheon, G.R.R. Martin’s character and King of the Seven Kingdoms of Westeros, died from an unfortunate wild boar hunting party?

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The Fine Art of Luring a Wild Boar

Well! This is all fine and dandy, but let’s get down to business and talk about wild boar hunting in Age of Empires 2. The best way to collect their food is to lure them.

Legit question for Dark Age villagers: “What’s that all about?”

The Overall Concept

Spirit of the Law’s Tutorial about Wild Boar Hunting in Age of Empires 2

Let’s say you’re new to Age of Empires 2.

How do you hunt a wild boar? Do you send all your villagers right next to it, shoot it down, and transport the food back to your town center like a fresh newbie? Or better yet, do you build a mill next to the boar to facilitate the food gathering?

Meh.

I know the wild boar is dangerous. I know kings have died because of it. I know very well that a single AoE2 villager stands no chance against such a beast. Yet, it is a villager alone that you have to send towards the wild boar from which you wish to collect food in order to create more villagers or early militia units.

There he goes, your villager. Look at him. Look at her! Your villager walks towards the wild boar with a bow in its hand. What do you do next?

Don’t panic.

If you want to lure a wild boar to your town center so that its food can be directly collected there, you villager will have to shoot the beast twice. Not once. Twice. If your villager injures a wild boar with only one arrow, the boar will not follow him or her. You need to tickle the beast for good. However, as soon as the boar has been shot twice, your villager must go back to your town center.

Assume that your villager is stupid because it is, indeed, a fact. Your villager will keep firing at the wild boar until he or she dies unless instructed otherwise. So don’t forget your boar hunting villager as you build a lumber camp, send another sheep to slaughter, or scout the enemy base. It will cost you food and time.

Once nearing your town center, your injured boar hunting villager (for he or she will take a few hits!) can jump into it and your villagers butchering sheep right on that very same spot can now draw their attention to the beastly wild animal and kill it.

The job, finally, is done. However, so many things can go wrong… So here are a few more tricks to add your skillset if you want to become a top AoE2 player.

Seriously, who needs loom anyway?

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Exquisite Tips and Tricks

As I’ve stated before, boar hunting is some seriously dangerous business in Age of Empires 2. Many things can go wrong and any little mistake can slow you down by messing up your precious build order. You need to be careful, however, you can’t be solely focussed on your boar hunting business as you’re boar hunting.

I know. It can be confusing but pro-players call it APM. Actions per minute. How many actions can you achieve under one single minute? In RTS games, the more, the better.

While you’re boar hunting, you still have to manage the rest of your economy, keep an eye out for your enemy, build, scout, collect other ressources. The Dark Age isn’t as easy-peasy as it seems, nor as quiet. The five first minutes of a game can sometimes definitevely show if you’ll win or lose twenty to forty minutes later!

The Farm Trick

As far as I’m concerned, Age of Empires 2 is an exploration game as much as a strategy game. I remember spending hours, as a kid, exploring every single corner of the map with my scout. I was pretty devoted to the task. I wouldn’t multitask. I would only scout. I was also super focused on the technologies that widen your line of sight like town watch or town patrol. Because who needs horse collar and double-bit axe?

If you ever play against me online, be sure I’ll outpost rush you before I ever tower rush you. I know. I’m lethal.

I was rather surprised to meet people online who hated the fog of war with their guts. They only wanted to play on all-explored or all-visible maps. And it had to go fast, too.

Hey! Don’t bully my slow villagers. I don’t even pay them any wages. Fifty food is all they get to last the thousand-year span from the Dark Age to the Imperial Age…

However, the fog of war is really what separates the wannabe pros to the real pros. I mean, look at The Viper. Not only is he, like, super cute—Debbie, beware. He’s so cool behind his glasses that he’s like a blond Sakamoto.

The Viper, also, is obsessed with his boars. So much, in fact, that he slaughters them all mindlessly and yet still wonders where they all are every once in a while. Location, location, location. The Viper is always very concerned with finding his wild boars. Now, if you happen to have scouted your entire starting base and you can’t find them, maybe that’s because they’re hidden in a little fog of war pocket. And if that ever happens, The Viper has a trick up his sleeve that can be useful to you: just build a farm over the fog of war to spot your missing wild boar.

The Viper Scouts Wild Boars by Placing Farms over the Fog of War

This is a very neat trick and one does not need witchcraft to conjure it. In order to lift the fog of war by placing a farm foundation, you need to place it on at least one tile of explored map area. That’s all folks!

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Gaia’s Line of Sight

Maybe you wonder. Why put a villager in danger if you can send your scout to lure a wild boar to your town center? Poke it twice, turn back and gallop towards your town center: job done! But, is it? The problem with the scout is that he’s too fast for the boar. Meaning a wild boar pursuing a scout will quickly lose sight of it and, at that point, drop the chase to return to its starting position.

The problem is, as T-West the Wise teaches us, that a regular AoE2 wild boar has a three tile line of sight. If you venture out of that three tile radius, the boar stops pursuing you.

However.

The really interesting thing is this.

A wild boar shares the line of sight of every Gaia unit on the map. This includes deer, wolves, birds, and even holy relics! Therefore, once you hit a boar with a scout, as long as that scout remains into the line of sight of any Gaia unit, the boar will continue to chase you.

T-West’s Tutorial about Wild Boar Hunting and Taking Advantage of Gaia’s Line of Sight

It can be quite tricky to master the skill of getting a wild boar to chase you beyond its own line of sight. The following clip shows the pro-player MbL failing at the attempt. And yet, MbL is usually so successful in AoE2 boar hunting that he got nicknamed ‘the Boar Whisperer’ and the ‘Master Boar Lamer’.

What went wrong for him here is that his scout, which tries to lure a second boar to the town center, didn’t enter the three tile line of sight of the first boar that was being lured by a villager. He left the three tile radius of the boar it was supposed to lure and failed to remain into Gaia’s line of sight. Therefore, the second boar returned to its starting position.

MbL Fails at Taking Advantage of Gaia’s Line of Sight

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The House Trick

The scout may be too fast for a boar to pursue, but the boar has no problem to chase down a villager and rip it into pieces. Nevertheless, you feel confident enough to send out a villager to lure a boar. You know you won’t forget that villager and make it turn back on time to save his or her life. But, will you? There are many sounds in Age of Empires 2 that can rattle you and distract you from your wild boar lure. I guess you know them all by now.

If you’re sending a villager to lure your second boar, the most probable sound that will distract you is the population limit alert. You’re being housed. Deal with it urgently or fear that your town center will remain idle a second to long.

AoE2 Sound. Limit population reached

You’ve build a house? Nice.

AoE2 Sound. House built

That’s when you hear this…

AoE2 Sound. Female villager death
AoE2 Sound. Male villager death

Because of your bad APM, you couldn’t save your villager on time. He or she’s been killed by the boar. What a disaster, loss of time and resource. You should just call the GG right now and forget about this whole mess.

Something else could have distracted you. If you’ve send a villager to build a forward barrack, you have a 100% chance that this villager is going to be attacked by a wolf.

AoE2 Sound. Wolf attack

By the time you go and deal with it, again, your boar luring villager will be dead.

13. Sure! Blame it on your ISP.

AoE2 Taunt. 13. Sure! Blame it on your ISP.

That’s not all. If you’re playing a team game, or a diplomacy game, maybe another player is trying to show you something on the map, and you hear that sound.

AoE2 Sound. Mark on the map

You check it out, you’re APM is still shit because you’re below the 1.5k ELO despite the fact that you’ve played AoE2 non-stop for six months, bim, you’re boar luring villager is… yet again… dead. Do you feel the rage building up?

“Good. Gooood!”

More seriously, what do you do? Please, follow The Viper’s advice and save your villager’s life with the neat and amazing ‘house trick’. Basically, what you have to do is to place the foundations of a house over a boar to stop it in its course. It is, however, very difficult to achieve properly. Your execution must be on point.

The Viper’s Tip of the Day #2

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The Scout Save

What does a diligent scout do? He scouts, he attac, but most importantly, he circles bac!

You can task your scout different missions at the beginning of a game. Scouting your base should be your first priority to find out your starting cattle (sheep, or turkeys, or cows, or whatever), your main and secondary golds, your main and secondary stones, several wood lines to chop wood from and, of course, last but not least, your boars. There should always be two (or more, depending on the map) not too far away from your town center.

Once the elementary scouting is out of the way, here are a few things your scout can do.

First, he can go on and locate the enemy base. An early scouting of your enemy can also inform you of his/her strategy depending of his/her build order. Do you see a barrack already up? Beware of the drush. You’ll soon have militia units heading your way to disturb your economy. Do you spot villagers mining stone in Dark Age? Beware of the trush! You’ll soon see enemy villagers going forward to build towers in order to deny you the access to your own resources. Therefore it is useful to send your scout towards your enemy and see what’s what.

However, your scout can do more.

Once at your enemy base, he can hit one of your enemy’s wild boar and try to bring it back to your own base. It is tricky, though, because you’ll have to cross the entire map. More on that and the laming of boars in the next section of this blog post, though.

Otherwise, your scout can also play the good stay-at-home scout and ‘push deer’ towards your town center. It is very tricky to do. Maybe I’ll develop on it in another blog post.

Eventually, another use of a stay-at-home scout is to save your villagers from boar attacks. If you manage to place your scout between your boar luring villager and the wild boar chasing him or her, you can slow the boar down and save your villager’s life.

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The Town Center Fire

At this point, the boar has been located, successfully lured and brought back to your town center. There is only one thing left to master: how to look like a total pro. You can weaken the wild boar you lure with town center fire to prevent your villagers to loose hit points and keep a full health. It is especially practical if you expect early aggression from your opponent and fear that he will ‘snipe’ your weak villagers.

The traditional build order will have you to assign your six first villagers on sheep and the following four on wood. That’s when you’re supposed to go lure your second boar. I don’t wait that long myself: I send my seventh villager straight to the nearest boar I found. I don’t know if it really matters, I’m not a pro-player. However, as you lure your first boar to your town center, you can garrison your six butcher villagers in your town center and weaken the boar by firing it twice. Be careful, though, if you kill the wild boar with the town center its food will be lost! I leave Spirit of the Law give you the full detail of it.

Spirit of the Law’s Tutorial about TC Firing a Wild Boar

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Medieval Meme. Drunk Angel
Medieval Memes

Medieval Memes #5

Go Home! You’re Drunk!

Medieval Meme. Drunk Angel
Lausane, University Library, U. 964, f. 10v.

Anxiety? What Anxiety?

Medieval Meme. Facing Unemployment
Paris, BnF, fr. 12399, f. 24r.

A Regular Day for a Historian

Medieval Meme. Dismantling Fake News
[Right] Paris, Arsenal, MS 5060, f. 242r [Left] Paris, BnF, fr. 2608, f. 381r

Awkwardness Can Be Cute, Right?

Medieval Meme. An Awkward Introduction
Paris, BnF, fr. 1303, f. 49v.

Posh Meme

Medieval Meme. Logical Contradictions
Los Angeles, Getty Museum, MS 46, f. 61v.

Feminism 101

Medieval Meme. Feminism
Paris, BnF, lat. 9473, f. 190r.

The True Origin of the Bagpipe

Medieval Meme. The Origin of the Bagpipe
Paris, BnF, lat. 9473, f. 165v

Battling Rape Like a Saint

Medieval Meme. Battling Rape
Paris, BnF, lat. 9473, f. 165v.

When I Can’t Browse Manuscripts…

Medieval Meme. Martyrdom
Paris, BnF, lat. 9474, f. 179v.

Never Give Me A Compliment

Medieval Meme. Compliments
London, British Library, Add. 18850, f. 22r.
Medieval Meme. Unhooking a Bra
Medieval Memes

Medieval Memes #4

What happens when I look for a very particular manuscript on Gallica? I end up on the KBR website and fall upon the most memeable German manuscript of Tristan & Iseult. A few hours later… well, see for yourself what I came up with!

Nothing Like A First Time


Long Term Relationship


Only 1390 Kids Will Understand


Relationship Goals


Amazon Prime Back In 1429


Like Father Like Son


Hip In 1346

Varia

Faltonia Betitia Proba

The following post found on St Andrews blog briefly introduces you to one of the most fascinating writer of the late Antiquity: Faltonia Betitia Proba. I mentioned her (and mispronounced her name) during my first stream about Pagan Gods in Medieval Manuscripts. Enjoy the discovery if you didn’t know her!

I was first told of Proba by Pierre-Augustin Deproost, teacher at the Université catholique de Louvain, as we shared a train many years ago. Check out his personal webpage about Latin authors, from Virgil to Thomas More (in French).

St Andrews Classics

The first five lines of Cento Probae with a depiction of the author, Faltonia Betitia Proba, holding a scroll. The first five lines of cento Probae with a depiction of the author, holding a scroll.

By Roger Rees

The most famous female writer from Greco-Roman antiquity would have to have been Sappho, the lyric poet from the island of Lesbos, but for womens history month I’m going to shout out for a Latin author by the name of Proba.

Faltonia Betitia Proba was born to an aristocratic Roman family early in the fourth century. This was a period of great religious flux, and Proba herself converted to Christianity. We know of two works by her: a lost work on the war between Constantius II and the usurper Magnentius, and the extant cento Probae. A cento is a work composed of resequenced lines (or half-lines) from an existing work, arranged to create a new narrative.

Proba’s cento of nearly 700 hexameters resequences verses from classical Latin literature’s canonical highpoint…

View original post 231 more words

Fun Fact

The Devil’s Ten Commandments

Medieval Meme
Brussels, KBR, MS 10218-19, f. 51v.

We find in several manuscript an illumination of a devil sitting on a tree. Every branch of the tree reads one of his Ten Commandments. Additionally, a wild boar at the bottom of the tree looks up at the devil and his commandments.

1 ~ Here is my first Commandment: swear upon God’s name as often as you can.

2 ~ Grant your body with as much delights as possible; there isn’t any other heaven.

3 ~ Come by my house anytime: it is the pub and the brothel.

4 ~ If you wish me to remember you, cover yourself with vain glory.

5 ~ Despise all poor people and love nothing but gold and silver.

6 ~ If you have nothing for yourself, take it from another, and give nothing back.

7 ~ Should you father argue with you make him fear you.

8 ~ Use wine for gambling instead of holy mass.

9 ~ Believe and witchcraft and violence: your will shall be fulfilled.

10 ~ Would you be short of money you shall take if from the Church.

Brussels, KBR, MS 10218-19, f. 26v

Those Ten Commandments are given as Queen Ratio provides a moral and allegorical commentary of the wild boar which is depicted as a devilish creature. Furthermore, all of this is found, believe it or not, in a medieval hunting treatise.

It is called the Books of King Modus and Queen Ratio and reads as a long dialogue. Whereas King Modus teaches the hunting apprentice how to hunt the deer and other animals, Queen Ratio provides an allegorical reading of nature and its creatures.

If the wild boar is a devilish beast, then the deer is a Christian one. Its noble antlers are actually a figure for God’s own Ten Commandments. The deer protects itself with its antlers as the good Christian shields himself with God’s Commandments.

Brussels, KBR, MS 10218-19, f. 29r

The wild boar used to be considered as a brave and mighty beast in Germanic culture. Henri de Ferrières, author of the Books of King Modus and Queen Ratio, however, turns it into the most despicable creature of the forest. Would you want to know more about that cultural shift, I’d recommend Michel Pastoureau’s book on the subject. It’s quite the page turner!

Brussels, KBR, MS 10218-19, f. 50r

Further readings:
~ Michel Pastoureau, Le Cochon. Histoire d’un cousin mal aimé (1999).
~ Les livres du roy Modus et de la royne Ratio, éd. Gunnar Tilander, Paris, Société des anciens textes français, 1932, 2 t.

Fun Fact

Short History of the Early Christian Dukes of Bohemia

St Václav (or Wenceslaus) in the ‘Vyšehradský kodex’ ~ Prague, National Library, MS XIV.A.13, f. 68r

As promised, here begins a very short history of the early Dukes of Bohemia, from Vratislav to Bretislav. Hang on to your hats, fasten your seatbelts, grab your popcorn and enjoy some Crusader King 2 worthy storyline.

Vratislav, living in the first half of the 10th century, hated the Franks. He married a pagan princess to upset their plan of world domination and she was a fine young woman, but she evolved into a bitter old mother. When Vratislav died, his son Václav became Duke of Bohemia. That’s only logical. However, the latter saw many political upsides to embrace Christianity and he founded a rotunda church, right there in Prague. In doing so, Václav also recognized the authority of the Holy Roman Empire over his Duchy and for many years, Christian matters in Bohemia were overseen by Imperial churchmen. This whole situation enraged Ludmilla, Václav’s mother. She plotted to get her first-born and she enlisted the best man for the job, Václav’s own little brother, her second son, Boleslav.

Boleslav was shrewd. Boleslav was smart. He agreed to murder his brother. He carried the deed. He became Duke of Bohemia, hurray! However, he was too smart to backtrack on his brother’s spiritual choices and he embraced Christianity so hard that he promoted his murdered brother to sainthood. #Paradox

The four Apostles in the ‘Vyšehradský kodex’ ~ Prague, National Library, MS XIV.A.13, f. 1v

From that point onward, St Václav, better known as St Wenceslaus West of the Rhine, became the spiritual patron of Bohemia. All Bohemian Dukes and Kings had to worship him dutifully to secure their dynastic propaganda of power.

Bretislav was quite the state builder. Beyond handing Bohemia a spiritual patron, he also insured his control of the land by building strongholds all over the country. He built the stronghold in Prague, too. He was nicknamed ‘the Cruel’ when people found out that he had quite an expedite way to deal with his political opponents. To be clear, he gifted them with the same fate that he’d offered his brother. Eventually, Boleslav also tried to free Bohemia from the Holy Roman Empire grasp by reaching to Bavaria and helping the Magyar migrate West. However, Otto I was a bit of a tough nut to crack. The Magyar were utterly crushed by the Imperial Army at Lechfeld in 955 and Bohemia was forced to provide troops. It was clear from that point onwards that Bohemia would be part of the Holy Roman Empire because of its Christianization. There was no escape from it.

Boleslav II succeeded to his father. He maintained friendly relationships with the Holy Roman Empire, but most of all, he secured access and control to the silver mines of Kutná Hora and it would greatly benefit to Bohemia in the centuries to come.

The Biblical Magi in the ‘Vyšehradský kodex’ ~ Prague, National Library, MS XIV.A.13, f. 13v

Boleslav III was the next Duke of Bohemia. Nicknamed ‘the Red’ because he had red hair—what do you want me to say?—Boleslav was a gentle fruitcake. He reigned only a year or two that he already tried to strangle his brother Ulrich and castrated his other brother, Jaromir. Both fled to Bavaria and the Bohemian nobility chose to overthrow their tyrant by inviting Vladyvoj to the throne. Vladyvoj took on the Duchy of Bohemia as an imperial fief from the German King, Henry II, but he died shortly after that. Jaromir and Ulrich still out of the picture, Bołeslaw the Brave, King of Poland, swooped in and took over. Bohemia was from now on into a personal union with the Kingdom of Poland, and free from the Empire. There was no way Bołeslaw would bow to the Emperor. It would be as if the King of England bowed to the King of France only because he holds a fief of the latter.

Wait…

That’s how the Hundred Years War started!

Bołeslaw’s story as Duke of Bohemia was much shorter. Jaromir was quickly put in charge of Bohemia and the Duchy reconciled with the Holy Roman Empire. Then Ulrich took over and ultimately his son, Bretislav I, inherited Bohemia, which he ruled for twenty years from 1034 to 1055.

Bretislav wished to steal a page from Bołeslaw’s book and refused to pay tribute to the Empire. It cost him dearly. He ended up walking barefoot through Regensburg, wearing a penitentiary sack, begging for pardon. The Emperor granted his pardon and Bretislav swore his total allegiance to his suzerain. Bohemia was definitely part of the Empire, it wouldn’t be contested anymore, yet all those wars forged the Duchy as a stable and powerful polity. It wouldn’t be long before it was elevated to Kingdom. Well, two centuries basically. But who keeps count?

The Crucifixion in the ‘Vyšehradský kodex’ ~ Prague, National Library, MS XIV.A.13, f. 42r

Note on the manuscript introduced in this post (thanks to Google Translate)

The Vyšehrad Codex (National Library of the Czech Republic, XIV A 13) is probably the most valuable manuscript preserved in the Czech Republic. Researchers believe that the manuscript is the coronation evangelist of the first Czech King Vratislav I (as Prince II), or that he has composed it to commemorate this event.

The Czech King Vratislav I (ruled as Prince Vratislav II from 1061) was crowned on June 15, 1086 at Prague Castle. The Evangelist contains excerpts from the Gospels that were read at the Mass during the church year. […] The Visegrad Code was originally created without a specific purpose, into stock. Later, approximately one third of the Code was hastily completed on order from Bohemia. It also contains a reading on the feast of Saint Wenceslas, the patron saint of Bohemia, who opens the initial D-ixit with a depiction of a throne prince who, as a gesture of his right, expresses his consent to the act of Vratislav’s coronation and symbolically passed it over to the government.

Further Readings:
~ Nora Berend, Central Europe in the High Middle Ages. Bohemia, Hungary and Poland, c.900-c.1300. Cambridge: Cambridge University Press, 2013.
~ Peter H. Wilson, Heart of Europe. A History of the Holy Roman Empire. Cambridge [MA]: Belknap Press, 2016.

Illuminated Manuscript. Alexander the Great. British Library. Royal MS 20 B XX. Le Roman d’Alexandre en prose.
In-Depth

4 Reasons as to Why Alexander the Great is Depicted like a 15th Century Knight in Medieval Manuscripts

Medieval Meme
Medieval Meme – Revision
Illuminated Manuscript. Alexander the Great. British Library. Royal MS 20 B XX. Le Roman d’Alexandre en prose.
Alexander unhorsing Porrus (London, British Library, Royal MS 20 B XX, f. 53r)

I enjoy browsing digitized manuscripts so much that I lose my sleep over it. A few days ago I started a best off of Alexander the Great’s illumination in medieval manuscripts. That when I observed for myself that he is depicted as a 14th-15th century knight in full armour in most of pre-Renaissance manuscripts and we even find him depicted jousting against his enemy, King Porus!

Alexander the Great jousting and unhorsing King Porus. ~ London, British Library, Royal MS 15 E VI, 16r.

Contemporary scholars like André Petit or Frédéric Duval have thought hard and long about those medieval so-called anachronisms. They came up with such complex theories about the concepts and representations of time that I couldn’t properly translate them in here. Not to say that I didn’t understand what they wrote under the obvious influence of crack… But they certainly had a long hard puff of the good shit.

From my readings I can give you four reasons as to why Alexander the Great (d. 323 BCE), Julius Cesar (d. 44 BCE) and King Arthur (supposed to have lived during the 5th and 6th centuries) were depicted as full-on 15th century knights by 15th century illuminators.

Fateful moment when Julius Cesar crossed the Rubicon. ~ Paris, BnF, MS fr. 5088, f. 192v.

#1. Another perception of the passing of time

The people living at the end of the Middle Ages sensed no rupture between the Classical Era and their own times. They didn’t know about our very 19th century fashion of cutting History into three to four main periods. They hadn’t all heard nor agreed to Petrarch’s claim that following the fall of Rome—that he himself dated back to 96 AD, by the way, and not 476 AD—Europe had sunk into some Dark Age… What really differentiated the Renaissance humanists with their intellectual predecessors, who also knew their Classical texts by heart, was that very feeling of rupture, that urge to find again what had been lost for they entertained that proto-romantic idea of loss. Medieval scholars and humanists—for the Middle Ages had its own humanists indeed—had a different relationship with Antiquity. They lived by the metaphor of dwarves standing on the shoulders of giants: they were not as great as their Roman founding fathers, but thanks to them, they could see farther than mankind ever could before.

Washington D.C., Library of Congress, Rosenwald MS 4, f. 5r

#2. Linguistic issues

Medieval scholars knew pretty well that the world was in a different state during Alexander’s times. When reading their books in Latin they were very conscious that some of the words that they were encountering used to describe realities that no longer existed. That was the whole meaning of their numerous glosses. Historical, judicial and literary Latin texts were sometimes heavily annotated. Young university students learning Latin were not only studying a new language, they were also discovering a different world. They could even, I bet, differentiate the various meanings that one single Latin word could cover if written in a classical text or in a medieval texts. That was not a problem. However, to translate Latin texts into vernacular languages came out as quite a challenge from the 13th to the 15th century for French, English or German were “poor” languages when compared to Latin. They didn’t beneficiated yet from a fixed grammar or an extensive scholarly vocabulary. That’s why the pontifex becomes the bishop, the praetor becomes a provost and the miles (originally the foot-soldier!) becomes the knight. Medieval scholars could still tell the difference of course, but this constructed a representation of Antiquity that was “very close from home” for non-erudite medieval readers.

Ovid’s Metamorphoses and its glosses ~ Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. lat. MS 1598, f. 2r.

#3. Capitalizing on a sense of legacy

When noble men read the stories of Alexander and Arthur, they certainly wished to picture themselves along those mighty heroes, fighting side by side with them on their way to immortal glory. As a matter of fact, aristocrats would very often play the part and dress up as Arthurian knights for jousting events or knightly tournaments. They were dressing up alright, but they were fighting for real. Back in the 13th century, when Wace translated into Anglo-Norman Monmouth’s Historia Regum Britanniae, he did it with a purpose: to prove that Henry II Plantagenet was the rightful ruler of England as per a translatio imperii, a “shift of power” from East to West which made England the natural heir of both Troy and Rome through the figures of Brutus (the Trojan legendary founder of Britain) and King Arthur. If such characters were to be depicted the same way late medieval Kings of England were, then it would be much easier for the latter to claim their legacy. So that’s what happened. Alexander, David, Caesar, Arthur and Charlemagne were all depicted in a way that made them somehow familiar. It would even further the idea that knighthood was a concept impervious from the passing of time: good Kings and noble knights had always existed. It was up to the new generation to carry on their long-lasting and exemplary tradition.

By the end of the 15th century, King Arthur and the Knights of the Round Table were all given imaginary coats of arms. There was yet no such thing as a coat of arms during the 5-6th centuries. Though they were reenacting the Arthurian tales they loved so much, 15th century knights were mostly carving their favourite knights according to their own customs and fashion. ~ Paris, Arsenal, MS 4976, f. 3r.

#4. History as a set of examples

Eventually, who do we see when we look at Alexander or Arthur in medieval manuscripts? Is it really Alexander? Or Arthur?—Does it even matter? What we actually see is the concept they symbolise: a most perfect King. It is very important to remember that History had a very clear purpose in the Late Middle Ages. It served as a set of good and bad moral examples. The real truth behind every story were not the facts they told, but the message they carried. Our very world was considered to be only the mirror of another and higher reality known as God’s own realm. The Matrix was the shit. Charles IV of the Holy Roman Empire believed that himself as we can read in his autobiography. He starts by reminding that we have two faces or two shapes. One, anchored in this very world, means nothing in itself. However, as it fulfils God’s will then it can serve a purpose and escape the void that is the matter. Medieval scholars went as far as to give theological meaning to Alexander or Caesar’s adventures. Such was the real purpose of their story. Factual accuracy had nothing to do with it.

At the ripe age of 12 years old, Alexander the Great was taught no less than the science of astronomy! Much impressive indeed. ~ London, British Library, Royal MS 20 B XX, f. 6v.

When the Portuguese humanist Vasco de Lucena decided to translate Alexander the Great’s biography for Charles the Bold, Duke of Burgundy, at the very end of the 15th century, he frowned upon the many tales that surrounded the Macedonian monarch. He bluntly rejected the romances as any kind valid historical source. Alexander was no more to be equal to Lancelot or Tristan. He had to be more. He had to be real, historically accurate. Vasco de Lucena returned to the source that he deemed the most reliable, the biography of Quintus Curtius. He followed a “scientific method” establishing Alexander’s reign period thanks to the Bible and cross-referencing other classical sources. It was the beginning of a new era but it would yet take some time for the classical aesthetic models to impose themselves and cast away the charming gothic depictions of antique heroes, as the Burgundian manuscripts holding Vasco’s translation show.

In this copy of Vasco de Lucena’s translation of Quintus Curtius, Alexander still carries his sentences in a very medieval fashion ~ Paris, BnF, MS fr. 257, f. 192r.

Further readings