Mark Twain. Joan of Arc. Frand Du Mond (1896). The Capture of the Tourelles.
Age of Empires 2, AoE2 Campaigns, AskHistorians Contributions, Long Reads

Did Joan of Arc actually Lead the French Army?

Wild Reddit Question Appears

>>> Link to the original reddit post <<<

Did Joan of Arc actually fight and lead an army in the battle of Orleans, or was she propped up as a figurehead?

So I’ve always wondered this since I learned about Joan of Arc in grade school. IIRC, she was an illiterate girl whose only real education was in Catholicism. After apparently hearing the voice of God telling her that she’s destined to lead France to victory, she convinced then-prince Charles to give her an army to take back Orleans, and that she would install him as king. And of course, she succeeded in both endeavors.

Here’s my question: in lieu her limited education and experience, did she actually fight in and lead an army/devise tactics for the battle to retake Orleans? Or was she simply “given credit” for political, troop morale, and enemy intimidation purposes?

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    Paris, BnF, français 5054. Martial d'Auvergne. Vigiles de la mort de Charles VII. Illuminated Manuscript. Joan of Arc. Jeanne d'Arc. Compiègne.
    Joan is being captured by the Burgundians at Compiègne – Paris, BnF, fr. 5054, f. 70r

    My Answer

    The idea of Joan fighting is not debated. Many written sources relayed the fact that she was properly armed on the battlefield and participated in the war effort. She got hit by arrows twice, at Orléans (in the shoulder) and at Paris (in the leg). She was fighting alright!

    Now, what about her commanding the troops? Kelly DeVries wrote a biography on Joan of Arc to argue that she was in fact “A Military Leader” (1999). However he gives Joan too much credit in my opinion. He states that Joan’s rashness inspired other military leaders of her time when I actually observed in the 15th century chronicles that everything Joan “did”, the other captains serving Charles VII were already doing it long before she came to the scene (attacking the enemy by surprise, being relentless, etc.). What mostly held them back was the politics behind the war.

    Many written sources relayed the fact that she was properly armed on the battlefield and participated in the war effort. She got hit by arrows twice, at Orléans (in the shoulder) and at Paris (in the leg).

    Philippe Contamine, the most expert French historian about the 15th century, already observed that the English were poorly organized at Orléans. Their forces were too widely spread around the town. It was “easy” to take down one fort after the other. When Joan arrived, the most skilled of Charles VII’s captains were already at Orléans: La Hire, Poton de Xaintrailles, the Chabanne brothers, the bastard of Orléans… Those people knew how to fight and they had no duke nor prince to overrule them. They could “play ugly” and they didn’t care for the glory or the etiquette. The battle of Patay is an obvious example of that. La Hire and Xaintrailles rushed the enemy as soon as they spotted them, taking them by surprise and routing them out. A few months ago, at the battle of the Herrings, they’d been asked to wait for the arrival of the duke of Bourbon, who wished to claim the glory of the battle. It led to a gory defeat as the English mustered the time to organize their defending position and make themselves impervious to swift and heavy cavalry charges (a French specialty).

    Paris, BnF, français 5054. Martial d'Auvergne. Vigiles de la mort de Charles VII. Jeanne d'Arc. Joan of Arc. Paris. Illuminated manuscript.
    Joan of Arc besieges Paris – Paris, BnF, fr. 5054, f. 66v

    Nevertheless, Joan certainly wished to act as a commander. She was quite bossy, and sassy too. She was never given any proper command title, but she certainly became a leading figure in the French army. Though she mostly became some kind of celebrity–people loved and/or hated her, she was on every lips—she also acted as a proper commander. At Compiègne, when she was captured, she was actually insuring the retreat of “her” troops by staying behind. According to the chivalric art of war, a leader was always supposed to be on the front line, the closest to the enemy. Joan of Arc was also the most relentless “leader” at the siege of Paris. She was determined to take the city (which was defended by Burgundian soldiers—she hated the Burgundians). The duke of Alençon actually had to go and fetch her to take her away from the battle when everybody knew the day was lost.

    There was a glass-ceiling that she never could break. She never was a formal military leader. Moreover her military “career” was far too short for her to prove herself as an autonomous leader.

    The school of war was done on the battlefield at the beginning of the 15th century. We suspect some of Charles VII’s captains of not being able to write or read. Yet they could certainly fight and come up with crazy and daring tactics. Many of Charles VII’s captains were actually “self-taught” (meaning they were schooled by masters on the battlefield through practice and didn’t go to an academy of any kind) and were appointed/elected to their position by their peers since the military institutions of that time fell into total anarchy between 1418 and 1441. Some of them even had pretty obscure origins, pretty much like Joan of Arc.

    In conclusion there was a glass-ceiling that she never could break. She never was a formal military leader. Moreover her military “career” was far too short for her to prove herself as an autonomous leader. She didn’t have any military company of her own (any proper “captain” had his own band of brothers-in-arms). She always tagged along or she was placed, here and there, as a mascot–which infuriated her. La Hire, Xaintrailles and others actually tried to replace her once she was dead with a random shepherd they found on some field or something. It led to an utter disaster of a battle that, to my knowledge, was only recorded by a Burgundian chronicler (but a reliable one). The endeavor was never repeated. However, Joan of Arc showed promises and at that time women could lead armies. Princesses, Queens or Duchesses actually commanded their troops in some cases when their husbands were away (or dead). Little is known about them actually fighting, though, but they certainly knew how to rule and strategize. The key at that time for any ruler was to surround themselves with shrewd and capable advisors and to listen to them, then only to take decisions and boss people around—well, that’s what I believe at least—but also what people at that time thought of good government!

    La Hire, Xaintrailles and others actually tried to replace her once she was dead with a random shepherd they found on some field or something.

    For further readings, don’t hesitate to ask, but most of the scholarly work on Joan of Arc was written in French. A good place to start though is the forever great Pernoud, Régine & Clin, Marie-Véronique. Joan of Arc: Her Story. trans. Jeremy Duquesnay Adams. New York: St. Martin’s Griffin, 1999.


    More about Joan of Arc

    Joan of Arc’s Charisma

    People took Joan of Arc seriously because they believed in magic and miracles. She was only human though, but that’s what makes her story even more fascinating.

    Did Joan of Arc actually Lead the French Army?

    Joan of Arc never was a formal military leader. Moreover her military “career” was far too short for her to prove herself as an autonomous leader. However, she showed promises and at that time women could lead armies.


    Joan of Arc Hero-General in Age of Empires 2

    In a former post I briefly discussed about how Age of Empires 2 wrongly gave Joan of Arc the title of “Commander of the Army of France”. That function actually lied with the “Connétable” (which was the proper title of such a high office) who was chosen for life by the king—once he’d obtained his title, it couldn’t be taken away from him. Back in 1429, the French Connétable was Arthur de Richemont, who has an entry on my blog regarding his background.

    First, I would like to pinpoint where that historical mistake came from. Then I would like to say a few more words about Richemont’s relationship with Joan of Arc as the actual commander-in-chief or the French army.

    Joe Staten, creative director for Microsoft who helped to design the first Age of Empires game stated that his “real passion was history. [He] read a lot of historical fiction and so when Age came around […] it was this perfect melding of the kinds of games that [he] liked to play: real-time strategy games with this history that [he] loved.”

    There we have it: the Age of Empires series doesn’t draw from history books but from historical novels. Building on that fact it becomes quite easy to find out the novel that inspired the Joan of Arc campaign in Age of Empires 2. We just have to look at the most influential of them all: the Personal Recollections of Joan of Arc by Mark Twain, first published in 1896. As a matter of fact, that very novel contains a chapter titled “She Is Made General-In-Chief.” It isn’t too long so I’ll simply paste it here for you to read.

    Mark Twain Creates Joan of Arc General

    It was indeed a great day, and a stirring thing to see.

    She had won! It was a mistake of Tremouille and her other ill-wishers to let her hold court those nights.

    The commission of priests sent to Lorraine ostensibly to inquire into Joan’s character—in fact to weary her with delays and wear out her purpose and make her give it up—arrived back and reported her character perfect. Our affairs were in full career now, you see.

    Dead France woke suddenly to life, wherever the great news travelled. Whereas before, the spiritless and cowed people hung their heads and slunk away if one mentioned war to them, now they came clamoring to be enlisted under the banner of the Maid of Vaucouleurs, and the roaring of war-songs and the thundering of the drums filled all the air.

    Mark Twain. Joan of Arc. Frand Du Mond
    Illustration by F. V. Du Mond.

    The verdict made a prodigious stir. Dead France woke suddenly to life, wherever the great news travelled. Whereas before, the spiritless and cowed people hung their heads and slunk away if one mentioned war to them, now they came clamoring to be enlisted under the banner of the Maid of Vaucouleurs, and the roaring of war-songs and the thundering of the drums filled all the air. I remembered now what she had said, that time there in our village when I proved by facts and statistics that France’s case was hopeless, and nothing could ever rouse the people from their lethargy:

    “They will hear the drums—and they will answer, they will march!”

    It has been said that misfortunes never come one at a time, but in a body. In our case it was the same with good luck. Having got a start, it came flooding in, tide after tide. Our next wave of it was of this sort. There had been grave doubts among the priests as to whether the Church ought to permit a female soldier to dress like a man. But now came a verdict on that head. Two of the greatest scholars and theologians of the time—one of whom had been Chancellor of the University of Paris—rendered it. They decided that since Joan “must do the work of a man and a soldier, it is just and legitimate that her apparel should conform to the situation.”

    Two of the greatest scholars and theologians of the time—one of whom had been Chancellor of the University of Paris—rendered it. They decided that since Joan “must do the work of a man and a soldier, it is just and legitimate that her apparel should conform to the situation.”

    Mark Twain. Joan of Arc. Frand Du Mond (1896). Joan discovers the disguised king.
    Illustration by F. V. Du Mond.

    It was a great point gained, the Church’s authority to dress as a man. Oh, yes, wave on wave the good luck came sweeping in. Never mind about the smaller waves, let us come to the largest one of all, the wave that swept us small fry quite off our feet and almost drowned us with joy. The day of the great verdict, couriers had been despatched to the King with it, and the next morning bright and early the clear notes of a bugle came floating to us on the crisp air, and we pricked up our ears and began to count them. One—two—three; pause; one—two; pause; one—two—three, again—and out we skipped and went flying; for that formula was used only when the King’s herald-at-arms would deliver a proclamation to the people. As we hurried along, people came racing out of every street and house and alley, men, women, and children, all flushed, excited, and throwing lacking articles of clothing on as they ran; still those clear notes pealed out, and still the rush of people increased till the whole town was abroad and streaming along the principal street. At last we reached the square, which was now packed with citizens, and there, high on the pedestal of the great cross, we saw the herald in his brilliant costume, with his servitors about him. The next moment he began his delivery in the powerful voice proper to his office:

    “Know all men, and take heed therefore, that the most high, the most illustrious Charles, by the grace of God King of France, hath been pleased to confer upon his well-beloved servant Joan of Arc, called the Maid, the title, emoluments, authorities, and dignity of General-in-Chief of the Armies of France—”

    The most illustrious Charles, by the grace of God King of France, hath been pleased to confer upon his well-beloved servant Joan of Arc, called the Maid, the title, emoluments, authorities, and dignity of General-in-Chief of the Armies of France.

    Here a thousand caps flew in the air, and the multitude burst into a hurricane of cheers that raged and raged till it seemed as if it would never come to an end; but at last it did; then the herald went on and finished:

    —“and hath appointed to be her lieutenant and chief of staff a prince of his royal house, his grace the Duke of Alençon!”

    Mark Twain. Joan of Arc. Frand Du Mond (1896). Joan's entry into Orléans (from a painting by Scherrer)
    Illustration by F. V. Du Mond.

    That was the end, and the hurricane began again, and was split up into innumerable strips by the blowers of it and wafted through all the lanes and streets of the town.

    General of the Armies of France, with a prince of the blood for subordinate! Yesterday she was nothing—to-day she was this. Yesterday she was not even a sergeant, not even a corporal, not even a private—to-day, with one step, she was at the top. Yesterday she was less than nobody to the newest recruit—to-day her command was law to La Hire, Saintrailles, the Bastard of Orleans, and all those others, veterans of old renown, illustrious masters of the trade of war. These were the thoughts I was thinking; I was trying to realize this strange and wonderful thing that had happened, you see.

    Yesterday she was not even a sergeant, not even a corporal, not even a private—to-day, with one step, she was at the top. Yesterday she was less than nobody to the newest recruit—to-day her command was law to La Hire.

    My mind went travelling back, and presently lighted upon a picture—a picture which was still so new and fresh in my memory that it seemed a matter of only yesterday—and indeed its date was no further back than the first days of January. This is what it was. A peasant-girl in a far-off village, her seventeenth year not yet quite completed, and herself and her village as unknown as if they had been on the other side of the globe. She had picked up a friendless wanderer somewhere and brought it home—a small gray kitten in a forlorn and starving condition—and had fed it and comforted it and got its confidence and made it believe in her, and now it was curled up in her lap asleep, and she was knitting a coarse stocking and thinking—dreaming—about what, one may never know. And now—the kitten had hardly had time to become a cat, and yet already the girl is General of the Armies of France, with a prince of the blood to give orders to, and out of her village obscurity her name has climbed up like the sun and is visible from all corners of the land! It made me dizzy to think of these things, they were so out of the common order, and seemed so impossible.

    Mark Twain. Joan of Arc. Frand Du Mond (1896). The Siege of Orléans (From the painting by J. E. Lenepveu in the Panthéon at Paris)
    Illustration by F. V. Du Mond.

    3 Historical Mistakes In Twain’s Narrative

    Unfortunately Mark Twain wasn’t writing a history book but a historical novel. To be good or great novels abide to a set of dramatic rules. Everything seems “bigger than life” though at the same time “oddly probable” in a novel.

    In order to make his novel more enticing or catchy, Mark Twain tweaked a few facts here and there. Nothing much… but just enough to mix the historical truth with pure fiction and sell a few lies as facts.

    There Were No Statistics in the Middle Ages

    Twain really wants to make us understand how crazy Joan’s mission was. How impossible it was deemed to achieve. How incredible it was when it was. That’s what makes her story worthy of being told. Joan’s story is worth to be remembered because she did the impossible. She was a simple peasant girl who lead the French army to an impossible victory against the English. That’s the pitch.

    Therefore Joan is not only confronted to a fixed social order but also to cold hard reason. It’s being shown in the novel through the anachronistic use of statistics. There were to statistics in the Middle Age. The mathematical optimisation of the public order was not yet a thing. The mathematical language in itself had not even been constructed yet! However, “numbers don’t lie”. We live today with the deluded notion that numbers reflect the truth and reality itself (as if the production of those statistical numbers wasn’t a problem in and of itself).

    Twain uses that familiarity he expects from the reader with the everyday use of statistics to make Joan’s tale “bigger than life” and even more incredible than it actually is. The anachronism of that literary stratagem doesn’t even pose a problem.

    Mark Twain. Joan of Arc. Frand Du Mond (1896). The Capture of the Tourelles.
    Illustration by F. V. Du Mond.

    Joan of Arc Never Was General in Chief

    Remember the pitch. Joan’s story is worth to be remembered because she did the impossible. She was a simple peasant girl who lead the French army to an impossible victory against the English. We already have the “bigger than life” element sorted out: her quest defeated all the statistics that could be thrown at her. Now comes the “oddly probable” moment.

    How come that she led the French army to victory? Simple. She was made General in Chief. Twain is starting to pile up lies here. He’s building a proper house of cards. But here comes the wind.

    Short story short, the duke of Alençon had been captured into battle a few months prior to the siege of Orléans. He’d been invited by the duke of Burgundy to join the English alliance but he refused. His grandfather had died at Crécy and his father, most heroically, at Agincourt. His lands had been taken away from him by the English. He was left penniless with nothing to go on but his good name and sense of honour. Therefore if politely but firmly declined the offer.

    First order of business: Joan was never created General in Chief. Not only did that title not existed at the time, but also Joan wasn’t given any official commanding title of any kind. It was merely agreed that she could accompany the army. Nothing more, although she quickly rose as a moral and religious exemplary figure and natural leader. She made the French army ring the Te Deum on their departure from Blois to Orléans.

    What’s funny is that Twain resorts again to anachronism here, by referencing to modern military grades and titles of command. He talks of “privates” when there was no such thing back then. It could be construed as a literary adaptation, a way to make the subject clearer to the reader. However, it mostly induces a fake sense of the medieval reality…

    Moreover, any basic knowledge of medieval armies at the time makes this “oddly probable” moment another “bigger than life” ingredient of narration. So big, this one, in fact, that we need to resort to a suspension of disbelief to make the rest of the novel any enjoyable. We clearly left the realm of facts for the country of fictions.

    Mark Twain. Joan of Arc. Frand Du Mond (1896). The Coronation of the French King at Rheims
    Illustration by F. V. Du Mond.

    The Duke of Alençon Never Was Joan’s Lieutenant

    Since Twain started to pile lies up, why not top it with a cherry and make it a nice cake with frosting and everything? The duke of Alençon is made Joan’s lieutenant. She has a really bloody prince under her command! What’s up with that?

    Short story short, the duke of Alençon had been captured into battle a few months prior to the siege of Orléans. He’d been invited by the duke of Burgundy to join the English alliance but he refused. His grandfather had died at Crécy and his father, most heroically, at Agincourt. His lands had been taken away from him by the English. He was left penniless with nothing to go on but his good name and sense of honour. Therefore if politely but firmly declined the offer.

    At that point he was released and could rejoin his wife who, to make things less complicated, was the step-sister of the king of England. You know. Family’s a bitch. Nevertheless he couldn’t fight the English nor the Burgundians anymore as long as he hadn’t settle his ransom. It was not yet the case when Joan left for Orléans. That’s why he didn’t contributed to the city being liberated. He couldn’t have. He was bond by the code of chivalry. The man of the hour at Orléans was the Bastard of Orléans. And he certainly took no order from Joan! He kept her in the dark regarding most of the strategic decisions and meetings which drove her mad.

    Joan’s story is worth to be remembered because she did the impossible. She was a simple peasant girl who lead the French army to an impossible victory against the English. That’s the pitch.

    You’d understand though that for a novelist trying to sell a narrative pitch, those kind of facts would be deemed negligible and wouldn’t make out for a “great story”. They had to be tweaked if not properly erased and presented differently.

    Mark Twain. Joan of Arc. Frand Du Mond (1896). The Capture of Joan of Arc at Compiègne
    Illustration by F. V. Du Mond.

    The Proof that Age of Empires 2 Was Based on Twain’s Novel

    Age of Empires 2 (1999). Joan of Arc's Campaign. Scenario 2: The Maid of Orléans
    Age of Empires 2 (1999). Joan of Arc’s Campaign. Scenario 2: The Maid of Orléans

    We have already stated that Joe Staten, creative director for the Age of Empires series, got his inspiration from historical novels. Mark Twain wrote a historical novel about Joan of Arc. We only have to connect the dots now.

    As a matter of fact there is no mention of any statistics in Age of Empires 2 within Joan of Arc’s narrative. We can therefore rule that lumpy anachronism out. There is no connection there.

    The most obvious evidence that AoE2 told the story of Joan of Arc after Twain’s novel lies with the duke of Alençon. Indeed, he greets the player as he/she starts the second scenario: The Maid of Orléans. Not only is it a historical inacurracy. It’s the very embellishment that Twain drew out to make Joan’s story “bigger than life”.

    The duke of Alençon greets Joan of Arc at Chinon as she leaves for Blois in AoE2.

    This is hard evidence if there is any. The fact that AoE2 also gives Joan the title of general could contribute to build our case here but there is much more to say regading the Twain-AoE2 romance about the portrayal of La Hire [blogpost on that topic underway].

    The Real “General” of the French Army: Arthur de Richemont

    Richemont appears in Age of Empires 2 when the players reaches the last scenario in Joan’s story. He’s to lead the French army at the battle of Castillon alongside other heroes among which La Hire who either survived his own death or crawled out of his grave. La Hire dies in 1443 and the battle of Castillon takes place in 1453. I let you work the numbers out. Remember! “Numbers don’t lie.”

    The Medieval French Army … In Theory

    The French Army went under a lot of development during the Hundred Years’ War. It took quite a bit of time for it but waging war became the business of professionals, a small group of people who devoted their whole life to the art of war. Noblemen were slowly being pushed out of the business for their religious worship of proper etiquette led to utter military disasters. The feudal pyramid of old was crumbling from within. Noblemen were more and more focused on administrative matters and less and less prone to the actual exercice of war. This tendency does NOT constitute an absolute however. The Burgundian alliance was renowned for its traditionnalism. The duke of Burgundy found many capable military leaders within his nobility. Just as the French army grew out of the Feudal System, the Burgundian army maintained everything it could from it: the titles of old, the etiquette, the chivalrous ranking system, etc.

    The French army had a constable at its head and two marshalls (maréchaux) to fill in for him. They represented the king himself and anyone challenging their authority was also challenging the king. Once appointed they couldn’t be replaced until their death.

    The shift for the French army started with Charles V (1338-1380). This king properly turned the tables on the English and his son would have put an end to the Hundred Years’ War if he hadn’t gone mad. The French army was put under the ‘managment’ of its constable (connétable): Bertrand Du Guesclin. It followed strict rules: no open engagement on any battlefield, a war of attrition, sneak and surgical attacks, a solid regulation of the men-at-arms roaming the country. The great dukes and princes were pushed out of the leadership of the war but the king feared no real opposition for he heavily relied upon his brothers (the duke of Berry and the duke of Burgundy) and they followed his leadership closely, going as far as copying the royal administration within their own estates to manage it.

    At this point the French army had a constable at its head and two marshalls (maréchaux) to fill in for him. They represented the king himself and anyone challenging their authority was also challenging the king. Once appointed they couldn’t be replaced until their death. Now what happened is that Charles VI couldn’t maintain this neat system intact. He delved into demencia, his uncles took control of the government and the dukes and princes started to fight each other for power. The royal army was dried out of money and the king’s authority came to naught. When Charles VII eventually took over his father, the French army was in a state of utter anarchy. The soldiers were not being paid and resorted to plunder and unregulated attacks on the king’s enemy to make a living. They were often high in debt and roamed the country in search of lucrative ventures. Captains were appointed by their own men and the military military mistruted the mighty dukes and princes for they usually knew better how to take or to defend a city.

    Charles VII had a weak character and was easily manipulated. He favoured close friends a bit too much and he let the people he liked rule in his stead. First there was Pierre de Giac, then there was Camus de Beaulieu. Richemont had both of them killed.

    Richemont Falls Into Disgrace

    Richemont was a highborn son of the House of Britanny. Though he was not the firstborn son of his father, he eventually became Duke of Britanny at the end of his life. Since his mother married Henry IV of England, he also had close ties to the House of Lancaster. However, he was raised by the duke of Burgundy and had even closer ties to the Burgundian nobility. He even became himself a Burgundian lord when he married a Burgundian princess. Nevertheless he refused to enter the Anglo-Burgundian alliance and reached for Charles VII through the Queen of Sicily, Yolande of Aragon. She made him constable and from 1425 onwards he became the official “General in Chief” of the French army.

    Charles VII had a weak character and was easily manipulated. He favoured close friends a bit too much and he let the people he liked rule in his stead. First there was Pierre de Giac, then there was Camus de Beaulieu. Richemont had both of them killed then he appointed Georges de La Trémoille to watch over the king and gain his favours. However, La Trémoille was far richer than Giac or Beaulieu and, most of all, shrewd as hell. His ambition led him to challenge his former patron and create a faction within Charles VII’s council against Richemont.

    Despite a few splendid military successes, like the liberation of Montargis (1427), Richemont had to go into exile and avoid the king’s court altogether. His brother, Duke of Britanny, had joined again the Anglo-Burgundian alliance and Richemont’s name was utterly ternished by such a diplomatic failure. The English could push forward against a disorganized French army and they eventually reached Orléans. La Trémoille reigned supreme and unchallenged. That’s when Joan of Arc showed up at Chinon.

    La Trémoille was far richer than Giac or Beaulieu and, most of all, shrewd as hell. His ambition led him to challenge his former patron and create a faction within Charles VII’s council against Richemont.

    As Joan convinced the king to take action, Richemont was still in exile. He was even formerly forbidden by the king to join with the French army on the battlefield. However, the captains that were defending Orléans were kind of his good men. The Bastard of Orléans, La Hire, Poton de Xaintrailles, such leaders had formerly found a strong political ally in Richemont when it came to liberate Montargis back in 1427. Richemont had even took out of his own pocket to insure their military services. Moreover they had no love for the high and mighty lords that haunted the king’s court.

    They had had their reservation against Richemont, of course. He was a high born himself and they knew through experience that such people used to look down on them. At Montargis they had bluntly told him to stay behind and leave them deal with the enemy (which they did most successfully! routing John Talbot, earl of Shrewsbury, himself!). Nevertheless Richemont had recognized their proper value when no one else had and it sure meant something.

    Joan of Arc Meets Arthur de Richemont

    Let’s rewind this story for a minute.

    To make complicated matters quite simple, Arthur’s mother married Henry IV of England when Arthur’s dad, who had been duke of Britanny, died. Do you remember? However, as Henry V rose to the throne, Arthur’s mother was deemed… a nuisance. Therefore she was put on trial for sorcery. She never had to fear for her life though, this trial was more of a way to put her aside politically and make room for the new king. Nevertheless, I think we need to keep that piece of background history in mind when we come to the moment Arthur de Richemont met Joan of Arc.

    Now, let’s jump to this blogpost conclusion.

    Orléans was free! The Maid had achieved her miracle. However, the Loire still had to be cleansed from English rule. At that very moment, the duke of Alençon had finally paid the last chunk of his ransom and could ride back into battle to honour the memory of his ancestors. The king appointed him as his “lieutenant-général”, meaning he was now put in charge of the French army. Jargeau, Meung, Beaugency: those powerful cities were to fall back under French rule!

    Jargeau fell. Then Meung. Joan the Maid, the duke of Alençon and La Hire were heading towards Beaugency but the English were gathering more troops to fight them off. The troops were tired. A victory seemed uncertain at this point. Were the French heading to a new Vae Victis?

    Sensing a change in the winds, Richemont decided to turn up with his personal army. La Trémoille got enraged. The French army led by Alençon was under a great commotion. Joan had been convinced that Richemont had to be defeated. She turned to the captains of the army, the Bastard of Orléans, La Hire, Poton de Xaintrailles. Their reaction was as rash as it can be: “If you go against the constable, you’ll find someone to talk to! We’d rather serve under the command of Richemont and fight alongside his men than to fight alongside all the maids of the realm!” Joan wisened up fast and convinced Alençon that fighting Richemont was a bad idea. La Trémoille could enrage all he wanted, Richemont reached the French army and both parties met in the most joyfull manner.

    Richemont eventually met the Maid of Lorraine and spoke with her. His words were recorded for the posterity. He said: “Joan, I’m being told you want to fight against me… I don’t know if you are sent by the devil or by God. If you’re sent by God, I don’t fear you. If you’re sent by the devil, I fear you even less.” Then he asked Joan to plead for him to the king to reinstate him in his charge before they went on and took back Beugeancy together whilst Richemont’s reinforcements helped to defend Meung that was under a heavy counterattack.

    I’ll surely write more on those historical events when I ever write my walkthrough + historical commentary of Joan’s third scenario in Age of Empires 2: “The Cleansing of the Loire”.

    Mark Twain. Joan of Arc. Frand Du Mond (1896). Execution of Joan of Arc (From the mural painting by J. E. Lenepveu in the Panthéon at Paris)
    Illustration by F. V. Du Mond.
    Age of Empires 2 (1999). Joan of Arc's Campaign. Scenario 2: The Maid of Orléans
    Age of Empires 2, AoE2 Campaigns

    ‘The Maid of Orléans’ – Walkthrough & Commentary

    This blog post also available in French!

    I fell in love with Joan of Arc thanks to Age of Empires 2. I never healed from it. As Ovid says: “Quod nullis amor est sanabilis herbis.” There is no remedy to love.

    Tower. Beaurevoir. Joan of Arc. John of Luxembourg.
    Tower of Beaurevoir © Stéphane Bloch, 19/07/2013

    Once I started to study History at the university, I met Joan again. I discovered her through new lenses. I read the papers and scholarly books written about her. I read the original sources from the 15th century. Her voice sounded clear to me when I read her trial. I saw her proud gait whilst perusing medieval chronicles. Then I visited Picardy and many places she went. I walked near the tower she jumped from when she tried to escape the English.

    In the following paragraphs it will look like I’m dismantling piece by piece the second scenario of Joan of Arc’s campaign in Age of Empires 2. However this is a love letter more than anything. Age of Empires 2 is a fantastic video game to discover the Middle Ages. There is much to say about the scenarios and the in-game encyclopedia, but that’s only for the better when you really think of it.

    Tower. Beaurevoir. Joan of Arc. John of Luxembourg.
    Tower of Beaurevoir, from afar © Stéphane Bloch, 19/07/2013

    Intro: Joan of Arc’s Campaign, Second Scenario

    March 26, Chinon

    It is one thing for a band of dispirited soldiers to put their trust in a teenage girl. It is entirely another for that girl to be given command of the army of an entire nation.

    We were filled with pride when we heard the Dauphin’s heralds pronounce Joan the Maid as Commander of the Army of France.

    So that she may look like a general, the Dauphin presented Joan with a great warhorse and a suit of white armor.

    Joan instructed me to look for an ancient sword buried beneath the altar of a local church.   

    I was skeptical, but not only did the men unearth a rusted blade, but we found that the sword belonged to Charlemagne, grandfather of France. I shall not doubt her word again. Still visible on the hilt was the fleur-de-lis.

    Joan adopted the fleur-de-lis as her symbol and had it blazoned upon her battle standard. Wherever Joan goes, the standard goes also. It goes with us to Orléans.    

    The City of Orléans is one of the finest in France, but it is under siege by our enemies, England and Burgundy, and is about to fall.   

    This war has dragged on for one hundred years with precious few French victories. The people of Orléans need a savior. They are to get Joan of Arc.

    Illuminated Manuscript. Brussels, KBR, ms. 9392. Christine de Pisan. Loyset Liedet. Jean Miélot. Pentesilea. Queen of the Amazons. Women in Armours.
    Pentesilea, Queen of the Amazons, leading the charge – Bruxelles, KBR, ms. 9392, f. 18v

    Commentary

    This, for one, is a wonderful text. It really helps us to connect with Joan’s story on an emotional level. However, it is filled with inaccuracies…

    Though Joan’s brothers were given nobility titles after the victory of Orléans, she was never invested of any official military title. The “Commander of the Army of France” was the ‘connétable’ and that man, since 1425, was Arthur of Bretagne, count of Richemont. Connétables were chosen for life. Richemont himself had fallen into disgrace because of his political actions (he had drowned the king’s favorite courtier) but he still held on his title. Right under him were the ‘maréchaux’ and those titles had also already been handed out to other aristocrats.

    Regarding Joan’s famous sword, it didn’t belong to Charlemagne… First off, the fleur-de-lis only became a symbol of the French royalty during the 12th century, once coat of arms were properly invented. It couldn’t have been Charlemagne’s emblem. Secondly, the sword was not miraculously found, dug up or given to Joan. It was merely an ex-voto that caught her eye when she went in pilgrimage to Sainte-Catherine-de-Fierbois on her way to Chinon.

    Finally, when Joan arrived to Orléans the Burgundians had already lifted the siege. Poton de Xaintrailles, La Hire’s brother in arm, had risked a dangerous diplomatic move. He’d offered to open Orléans to the Duke of Burgundy if he could insure the safety of its inhabitants. Philip the Good wished for nothing less but it angered the Duke of Bedford, Regent of France. The two men were at odds since Anne of Burgundy had passed away. Sister to Philip the Good and Bedford’s former wife, she’d already saved the Anglo-Burgundian alliance in the past and her death left the alliance in tatters. Therefore, the English were left alone to besiege Orléans.

    1.1. The Map: Orléans surrounded

    Age of Empires 2 (1999). Joan of Arc's Campaign. Scenario 2: The Maid of Orléans
    Age of Empires 2 (1999). Joan of Arc’s Campaign. Scenario 2: The Maid of Orléans

    In this scenario we find three French cities: Chinon and Blois, south of the Loire, controlled by the artificial intelligence, and Orléans, north of the Loire, which the player takes over as soon as he steps into it.

    Orléans is threatened by four British fortresses, two north of the city, which produce long swordsmen, longbowmen and mangonels, plus two other, south of the city, which produce battering rams and knights.

    Furthermore, the Burgundians are still in play, though it is historically inaccurate. They send up spearmen to attack Orléans along other units.

    Since all those units will continuously attack the player, he will have to produce a vast variety of counter units to push back the AI efficiently. It will be tricky to balance an economy properly to that end, however, with a population capped at 75…

    1.2. The Siege of Orléans

    Map. Orléans. 1428, 1429. Joan of Arc. Jollois. Harttweig
    Plan de la ville et du siège d’Orléans en 1428. Jollois restituit ; Harttweig sculpsit

    Historically speaking, Orléans was surrounded by English bastions, mainly west to the city. John Talbot, knight of the Order of the Garter, was commanding those fortified places himself. He’d been a real thorn in the shoe of the French since he landed on the Continent, back in 1427. The British also had a few bastions eastwards, but first and foremost they occupied the ‘Bastille des Tourelles’ that closed the Loire bridge. It forced the people of Orléans to destroy the bridge so that it couldn’t be crossed, contrarily to what the player can do in the Age of Empires 2 scenario.

    For its defense, Orléans had no less than thirty towers along its walls and barricades also blocked the city access in the suburbs. Churches also could serve as fortified places. However, the people of Orléans struggle every day a bit more to ration their food and they urgently needed supplies to maintain their spirits up.

    2.1. How the scenario plays out

    The second scenario of Joan of Arc’s campaign has a few surprises but it plays in a quite straightforward fashion. It starts at Chinon with the Duke of Alençon greeting Joan. He moves towards her on his gorgeous steed: “I’m the Duke d’Alençon, my Lady. I will proudly ride with you to Orléans.”

    From that point in the very southern corner of the map, Joan, Alençon and their troops ride to Blois where they will meet the king’s army. On their way they’ll fight out a little ambush if they don’t avoid it, but when they reach Blois, the player gets a full load of knights, crossbowmen and trade carts to provide Orléans in resources. Those trade carts must reach the city town center, not the market, for the resources to be collected by the player.

    Map. Orléans. 1429. Bridge. Loire. Jollois.
    Plan de l’ancien Pont d’Orléans et de ses abords avec ses bastilles et boulevards, le fort des Tournelles et la bastille des Augustins. Jollois restituit

    Exiting Blois, Joan can reach Orléans through the dirt path leading to the Loire bridge but that’ll force her into an early battle against Burgundian troops guarding the access. However, transport ships are waiting to help the player across the river and out of harm way. Whatever the choice taken by the player, Joan and the French army reach Orléans through one of its two southern gates.

    Once into Orléans, the objective is quite simple: keep the city cathedral safe, maintain Joan of Arc alive and destroy one of the four English castles. Whenever the trade carts get to the city forum, the player gets resources and he can start to build his economy with the few villagers he finds in Orléans.

    Rooftop view of the Cathedral of Orléans

    The easiest and quickest way to win the scenario, however, is to get to Castle Age as soon as the trade carts get to Orléans forum. Forget about the economy altogether. Cross back the river Loire with a few villagers and build a siege workshop at the back of the southern British fortress. As soon as you can create a few battering rams, break down the British walls, get inside their base and ram down their castles. The knights you get in Blois can also swoop in for extra damages: the castles don’t have the murder holes technology.

    Now, if you want to play really tricky, though it requires a bit of skills, station your knights between the two southern British fortresses, wait for villagers to open the gates while passing through it to gather resources, rush into the enemy base and bring fire the old fashion way: through good old sword repetitive smacking.

    2.2. How History played out

    Map. Orléans. 1429. Joan of Arc. Boucher de Molandon. Eugène Moreau.
    “Orléans, la Loire et ses îles lors du siège de 1429. Première expédition de Jeanne d’Arc : ravitaillement d’Orléans”

    First things first: the Duke of Alençon has nothing to do in this scenario. He only comes up in Joan’s saga much later, notably during the siege of Paris. The real historical character who supervised the military operations on the French side was the bastard of Orléans, Jean Dunois. La Hire, who is introduced to the Age of Empires 2 player in the next scenario, was also of the party.

    In summary, the French army commanded by the maréchal de Boussac, in company of La Hire, Joan of Arc and a convoy of supplies, journey from Blois to Orléans. In order to reach the besieged city, they decide to go around it from the east and cross the Loire River on transport ships. The bastard of Orléans waits firmly for the resupply and supervise the crossing.

    Dunois (the bastard of Orléans) and St John the Evangelist, witnessing the Last Judgement ~ London, BL, Yale Thompson MS 3, f. 32v.

    When she meets Dunois, Joan is upset. She demands why they didn’t cross west of Orléans, where the English are the most heavily fortified, where John Talbot who commands the troops is located. Dunois is flabbergasted by Joan’s audacity. She dare answer that the advice she brings is better than his, for she’s sent by God. At that point, the wind was not favorable for a crossing. All of a sudden it changed and Dunois interpreted it as a miracle, when he talked about it years later during Joan’s second trial.

    The maréchal de Boussac and the French army, however, turn back to Blois. Joan of Arc, La Hire and the resupply convoy cross the Loire. They briefly rest at Reuilly with Dunois then ride to Orléans. The English garrisoned in the bastille of Saint-Loup attempt to attack the convoy but last minute reinforcements from Orléans distract them from their purpose. Joan and the convoy arrive in Orléans untouched to the great relief of the population. One man get so close to Joan to better see her that he actually puts her sleeve on fire with his torch. The disaster is fortunately avoided.

    Far to dictate the strategy, Joan is kept in the dark. Nothing is shared to her. The bastard of Orléans and the faithfull captains of Charles VII talk shop without her. When she awakes from a nap, Joan says she saw in a dream that French blood was spilled. She puts on her armor and gallops out of Orléans. She reaches the French troops attacking Saint-Loup and the place is taken.

    The bastille of the Augustins is next to fall, then the French mount an attack against the Tourelles, which guards the bridge entry facing Orléans. All day long, the French troops can’t overcome the English defenders of the fortress. Nevertheless, thanks to Joan’s last galvanizing speech, they gather their last drops of courage and eventually conquer the place. The French army based in Blois has now a freeway to enter Orléans. John Talbot is forced to leave and empties the last English strongholds parked around the besieged city.

    The liberation of the Loire can finally begin.

    Outro: Joan of Arc’s Campaign, Second Scenario

    Joan prophesied that she would be wounded at Orléans. At the height of the battle, an arbalest bolt knocked her from her horse. We could not believe our misfortune.

    But as we carried Joan away from the carnage, the battle was won. Orléans was free.

    When we entered the city, the entire population cheered us on from windows, rooftops, and city streets.

    They fired artillery into the night sky and shouted aloud their nickname for Joan: ‘La Pucelle’—The Maid of Orléans.

    Commentary

    Joan actually predicted her injury. As he travelled to Lyon for the sake of his master, the Duke of Brabant, the lord of Rotselaar gave news from Charles VII’s court. His letter, dated from April 22th, 1429, mentions that a young woman swore to liberate Orléans, but that she will be injured during the battle. The attack of the bastille des Tourelles happened two weeks after this letter was sent and Joan is indeed struck by a range weapon in the morning, right in the shoulder. Her prediction is also stated in other sources. To this day the historians remain fascinated.

    Joan, once injured, cries. However, she refuses to be healed through witchcraft. She takes the arrow out of her shoulder herself, with nothing else than olive oil and a piece of cloth to ease her pain. She goes back to battle. As the evening drops, the day seems lost but she carries on. “Fear not, the place is ours!” she shouts as she sees her banner close to the fortress walls, pointing out to everybody where to strike. The French muster their morale, dive once more into the breach and eventually conquers the Tourelles in a last assault that will become unforgettable.

    The night proceeds with careful celebrations as Talbot hasn’t left yet. However, no artillery fired into the night sky. Canons shot at the start of a siege. The bells rang, from all over the city. Gathered in churches, the people of Orléans and their defenders sang the Te Deum Laudamus that Joan had had the French army sing when they left Blois. It wasn’t Joan who was celebrated, but God.

    Close your eyes, picture the cathedral of Orléans and transport yourself back to 1429. Your own mind remains the best time travelling machine.

    Top 3 overlooked facts

    The very last assault on the Tourelles gave place to great moments which are worth remembering.

    The Loire Bridge had been partly destroyed. Seeing that the fight reached no conclusion, the people of Orléans decided to help out their allies. They threw planks across the long narrow bridge. The first one to come forth was a Knight Hospitaller, Nicolas de Giresme. His crossing was perceived as a miracle.

    The English captains, however, were not so lucky… The drawbridge of the Tourelles collapses under their very feet and they all drown in the Loire. According to an Italian merchant relating the events of the siege, the drawbridge collapsed because of a demolition ship prepped on Joan of Arc’s orders, then moved forward at the most strategic moment!

    Silent and deadly.

    Finally, as the English withdrawn from their strongholds, a war prisoner, the bastard of Bar, managed to escape his jailers in a way nothing short of fabulous. He gets the personal priest and confessor of John Talbot to carry him to Orléans! Not only does he come back to reinforce his friends, but he also hands them a very valuable informant.

    Historians still debate today on Joan’s real impact over the commandment of the French army. It is rather excluded that she ever held any official title or ordered the troops herself, even if the most daring historians have argued that he left a “legacy”. She feared no danger, she was pro-active on the battlefield, she never backed down from a fight. In that, however, she was La Hire’s perfect pupil, minus the wisdom and experience. Nevertheless, without her, it is undisputable that the Tourelles wouldn’t have been conquered the day they were and the siege of Orléans could have dragged on more.

    The English were already in a pickle. Their alliance with the Burgundians was in tatters and the earl of Salisbury, their military genius, was dead during the first days of the siege of Orléans. The town, meanwhile, was defended by the best and bravest, the cream of the French army. La Hire, Poton de Xaintrailles, their brothers and their friends were all there. They had no pompous title but they counted among the most professional soldiers in France at the time.

    Joan of Arc only put more oil on a fire the fire and the tide was already turning against the English. Yet it takes nothing away from her bravery, her valor and her charm, that History consecrated forever.

    More About Joan:

    Age of Empires 2, AoE2 Campaigns

    Joan of Arc in AoE2: Quick Words

    What follows is my reaction to an AskHistorian Reddit thread that states the following:

    All of us here, questioner and answerer, are inspired by portrayals of history in popular media, like games, film and tv. The recent release of the HBO Chernobyl mini-series is a great example – we had a sudden rush of interest in the history of the disaster. […] This week, we will look at the Age of Empires game series, from the first to the third and all of their expansions, which cover the ancient world, the medieval era and the ‘age of discovery’ period, and are set in various locations across Europe, Asia, Africa and the Americas.

    Foreword

    I, for once, cannot shy away from that one. I’ve started a Twitch channel for the sole purpose to provide historical commentaries on Age of Empires—even though not very succesfully audience wise. Here is a highlight I saved from a former stream where I go on reading the in-game encyclopedia on the « Knights » entry and ramble about it. At first I went on to play Joan of Arc’s campaign and provided commentaries as I advanced in the scenario. That’s on YouTube now, even though I couldn’t make it into a series, along with a few short clips about Vikings [#1, #2, #3, #4, #5]. My latest and probably cleanest video edit is probably the short historical analysis I did on the Battle of Crécy, whilst comparing the longbowmen to the genoese crossbowmen units from Age of Empires 2. It’s only me working on it though, with my poor video edit skills, my full time night job and my social life to juggle altogether #CaptatioBenevolentia. It all started with a top facts on Joan of Arc I wrote on the AoEZone website (and also on Reddit, adding some corrections), in their kinda dead history forum. I’d love to finish a clean and well cut video edit on Joan of Arc’s campaign and provide something better than what Spirit of the Law is producing out of Wikipedia. I mean, I read the chronicles, the trials, the most recent books on the topic. So there it is, my short historical overview of the first scenario of Joan of Arc’s campaign (I won’t have the time to write about them all in one single go, maybe I’ll post one scenario a day since this is going on all week).

    Here’s The Viper playthrouhg of Joan’s first AoE2 scenario. Respec’ to the Master. However… just watch that awful map for a second…

    The Map of France

    Now, the map that we see when we start the campaign is just plain awful, as I’ve complained several times. It basically shows the borders of France today, along with the borders of Switzerland (that becomes Burgundy!?), Belgium and the Netherlands. On that one, I’m sorry, but we can only give an F to Microsoft. One very pretty map that displays the border of France during the time of Joan of Arc is the one drawn by Auguste Longnon in the 19th century. I actually challenged u/Brother_Judas to provide his fresh take on it and he’s at it! It’s going to be beautiful. I can already tell.

    I mean… just look how beautifully detailed Longnon’s map is!

    An Unlikely Messiah

    From the Journal of Guy Josselyne

    “February 19, Army Camp near Vaucouleurs”    

    “This morning I awoke to visions of fire and steel. These nightmares come more often now that I have seen my beloved France eaten away in years of war.”

    “I wandered through camp ignoring the new snowfall, but observing the wounds and weariness of every soldier under my command, observing the desperation in their eyes.”    

    “It was then that I first saw the girl. She told us that her name was Joan. She told us she was but a peasant, who did not know how to ride or fight. She told us that she intended to rescue France. The darkness lifted from the men’s souls. ” 

    “Her voice rang with conviction, and we drank in her every word. I may have lost my faith, but Joan has not lost hers, and that is enough for me.”    

    “Joan has asked our ragged band of soldiers to take her to Chinon, where the rightful ruler of France, the Dauphin, hides from his foes.”    

    “The war-torn land between is infested with enemy marauders, and we will lose many men.  Death is by now an old companion, but for Joan, we will face it again.”

    Paris, BnF, français 5054. Martial d'Auvergne. Vigiles de la mort de Charles VII. Joan of Arc. Jeanne d'Arc. Chinon. Vaucouleurs. Illuminated manuscript.
    Joan of Arc goes to Chinon to meet Charles VII – Paris, BnF, fr. 5054, f. 55v

    “As Joan’s footsteps echoed down the marbled hall of the château, the fat and whispering dukes did naught but stare.”

    “The Dauphin himself seemed afraid as she kissed his feet. ‘My gentle Dauphin,’ she demanded, ‘why does England claim what is ours? Why are you not crowned King of France as is your right?'”    

    “The courtiers began to murmur. The chamberlain whispered lies into the Dauphin’s ear.”    

    “But the Dauphin pushed the chamberlain away and rose to meet Joan’s gaze.”    

    “She stands only to the shoulder of the shortest man, but all of us must look up to speak to her.”    

    “I know not what silent conversation passed between the Dauphin and his would-be savior, but it was obvious that his majesty was in the same thrall as we.”    

    Ideology versus reality

    What we see in the scenario introduction is nothing short of a build up to depict Joan as a national hero. Well… The young girl was certainly pretty religious, but she had no idea of what a “nation” was in regard of our current understanding of the concept. She saw that the king had not been anointed in Reims, as was the tradition dating back from the Carolingian kings, and she maybe thought of it as the supernatural cause at the source of the wars that were afflicting the French people. I say “wars” because the Hundred Years War was in fact not one single big conflict between two nations, but the many push backs from the French nobility (including the king of England, who was a French nobleman) against the raising authority of their king through the slow building of an actual administrative state, which eventually lead, long term, to the administrative monarchy that ruled Louis XIV. Among the many concerns of the French nobility was the ability to raise their own troops. The king managed to deny them that right when he finally introduced the “Compagnies d’Ordonnances”, the first permanent and professional army in Europe since the Roman times. It brought the end of the Feudal system as we know it, where the suzerain called on his vassals. From then on, the king could rely on a constant military support, but it needed massive tax reforms and he really struggled to pass them on. Many of the noblemen that fought alongside Joan of Arc to “liberate France”, such as the Duke of Alençon, actually turned against Charles VII when the Companies d’Ordonnances were instated. That historical episode was called “the Praguerie” and it happened before the final battle of Castillon, which is portrayed as the final chapter of Joan’s campaing in AoE2.

    Paris, BnF, français 5054. Martial d'Auvergne. Vigiles de la mort de Charles VII. Joan of Arc. Jeanne d'Arc. Rouen. Illuminated manuscript.
    Joan of Arc being burned as a heretic at Rouen – Paris, BnF, fr. 5054, f. 71r

    Basic nitpicking

    • Basically, everything was much more complicated than what AoE2 makes us believe. Also, Joan’s travel from Vaucouleurs to Chinon was not a commando mission. Jean de Metz didn’t like that Joan would stop in every church to attend mass, because he wanted to be discreet about their journey (they also travelled a lot at night), but they didn’t have to force their way through a Burgundian settlement as the scenario suggests.
    • About the scenario introduction, yet again: Paris is misspelled “Pairs”. Also, the game map fused the Seine and the Loire together into one single river.
    • As we start the game, we witness a battle where the French are literally crushed and overpowered by an English army. The problem that the French faced however was not that they didn’t have enough military to counter the English. At that time (from 1410 to 1440), they were poorly organized and divided between opposing factions that couldn’t play well together. The Duke of Burgundy refused to attend the battle of Agincourt, the Duke of Bourbon only sought his own personal glory, the Count of Richemont showed poor political skills when he drowned the king’s favorite courtier, etc. The French army was more than able to push back the English forces, as Charles V demonstrated during his rule with his attrition strategy. It just lacked a proper hierarchy up until the Compagnies d’Ordonnances were put into play.
    • Oh, and by the way, Joan could ride a horse! She wore a red dress when she arrived in Vaucouleurs and was given men’s clothes to go on her journey at the request of Jean de Metz. He stated so himself during Joan’s second trial. #JustRanting
    • Now, it is true that Joan called Charles VII “mon gentil Dauphin” (meaning “my noble Dauphin”). However, Charles VII was already king! He was not the heir to the throne, but the dude on the throne. He only hadn’t been anointed yet. Henry VI of England, who claimed to be Henry II of France and who was Charles VII’s nephew, hadn’t been anointed either. He would nonetheless be anointed in Paris in 1431, as a political answer to Charles VII 1429 ceremony in Reims. So France had two kings just as Christendom, around those very years, had two popes. The question was only who could actually wield the power since both Charles VII and Henry II had very strong legal claims to the crown. Meanwhile, Charles VII and Henry II held different parts of the royal demesne and they offered different political “programs” so to speak. Allied to the Burgundians, the Lancastrian pretenders maintained more traditional and conservative views, whereas the Valois mustered for a better centralization of the unruly state.
    Henry VI of England being crowned as Henry II of France by the Cardinal of Winchester… in Paris (1431) ~ Paris, BnF, fr. 5054, f. 76

    Needless is to say that Joan of Arc’s AoE2 campaign is what actually gave me my love for History. This campaign is emotionally very important to me and I can’t stress enough how much I love it. Even though I could tear down every single thing from the campaign, from the scenario intros and outros to the gameplay, I freaking love it and would recommend anyone to play it. The only reason I made my master thesis on La Hire is because of that freaking campaign.

    By the way, spoiler alert… La Hire was dead in 1453 when the Battle of Castillon took place. So when I replayed that last scenario I actually shed a tear as I found him virtually still alive and kicking, thirsting for blood. He died in 1443 during a military campaign the king lead in the Southern part of France. He was dearly missed by Charles VII himself, as Monstrelet writes in his chronicle. Just as much as Bertrand Du Guesclin and Arnauld-Guilhelm de Barbazan before him, Étienne de Vignolles, La Hire, was nothing short of a hero. He became the Jack of Heart in the traditional French card game.

    The blood on La Hire’s sword is almost dry.

    Top 7 Facts of Joan of Arc’s Journey to Chinon

    7. Joan was very religious. Her quest was more of a spiritual one than a patriotic one. The idea of a “French nation” as we define it today was quite foreign to her.

    6. Joan asked to stop in many churches to attend mass. Jean de Metz proved quite reluctant since he prefered to travel unnoticed by Burgundians forces.

    5. When she left Vaucouleurs, Joan was dressed as a man (because men’s clothes were more fit for travel) and riding a horse. She was not the average “sheperd girl” but she came from a well off family.

    4. Before leaving Vaucouleurs, Joan was invited by the Duke of Lorraine, Charles II, to meet him. He was feeling ill and wondered if she could cure him. She only told him to stop cheating on his wife and asked for his ten years old son-in-law to be, René d’Anjou, who belonged to the highest nobility, to escort her to Chinon. Her request was declined.

    3. As she left her native village of Domrémy, Joan lied to her parents. She told them she was going to help her cousin to deliver her child but she then asked her cousin’s husband to lead her to Vaucouleurs. That “white lie” would later cost her dearly during her trial in Rouen…

    2. As Jean de Metz slept next to Joan several times on their way to Chinon, he never felt any desire for her. He had too much esteem for her as he would later testify on Joan’s second trial, held by Charles VII to clear her name of heresy.

    1. Once she’d arrived in Chinon, Joan was then examined in Poitiers by theologians regarding the validity of her spiritual claims. Prior to that Yolande of Aragon also insured she was still a virgin and that is why she was later called the “Pucelle” (french word meaning virgin).

    See Joan’s itinirary (picture it without the modern day highways ^^): click here.